Black History Month is not only a month where we acknowledge pivotal Black figures throughout history, and a form of acknowledgment that should be year-round,... Read More
Reviews
Amy Adams gazes just past the camera. Her expression is tired, hollow, as if any additional emotion would already be too much. In this extended... Read More
Over the past decade, Sundance has increasingly become a home for films that resist spectacle in favor of proximity. That sensibility now finds an extension... Read More
Smoke hangs heavy over the scorched earth. In the distance, cannon fire rumbles like the aftershocks of a catastrophe that has long since occurred and... Read More
It is the summer of 2002 in a suburban corner of Arkansas. Dust dances in golden light, toilet paper flutters from treetops after a teenage... Read More
There are plenty of films about artists. It’s seemingly one of the go-to professions for screenwriters to explore. How many films have we seen –... Read More
Chaos and order. Shown but not told specifics of crime and law enforcement. A stoic protagonist with an underfurnished, beach-adjacent apartment. These are ideas central... Read More
When Emily Brontë published her only novel, “Wuthering Heights,” in 1847, it was incredibly transgressive and disruptive. The violence and frank portrayal of obsession and... Read More
Hands grip, thighs clench, leather tightens. Colin (Harry Melling of The Queen’s Gambit and The Ballad of Buster Scruggs) is a parking cop by day and in a... Read More
Kogonada has expressed many times that one of the most important elements of any film for him is the sense of place. In every single... Read More

Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale
‘Rose’ Review: Sandra Hüller Commands the Screen in Gender-Bending Period Piece with a Towering, Career-High Performance [A-] Berlinale
‘Mouse’ Review: Sophie Okonedo and Katherine Mallen Kupferer Shine in Tender Portrait of Grief and Growing Up [B+] Berlinale
‘Kokuho’ Review: The Vibrant World of Kabuki is Spectacularly Recreated in Lee Sang-il’s Resilient Character Study [B+]
‘Crime 101’ Review: Chris Hemsworth Brings the Heat in Michael Man-Influenced Actioner as Good as its Title is Bad [B+]
“Wuthering Heights” Review: Emerald Fennell’s Stylish Spin on the Classic Novel is More Bodice Ripper Than Brontë Gripper [C+]
‘Pillion’ Review: Alexander Skarsgård Puts the Dom in Domesticity [A-]
‘zi’ Review: Kogonada’s Latest is a Return to Minimalism But Frustratingly Unfocused [C+] Sundance
Laura Dern, Carol Burnett, Cameron Crowe Added to TCM Classic Film Festival; Rare ‘Letty Lynton’ Restoration Set
Academy Award-winning Filmmaker Steven Bognar Boards Yael Bridge’s ‘Who Moves America’ Doc as Executive Producer [EXCLUSIVE]
‘Euphoria’ Season 3 Review: What’s Left to Do for the Teens of East Highland High but to Rue the Day [C+]
Alana Haim and Mamoudou Athie on Supporting Each Other Through ‘The Drama’