The world of modern art is enigmatic and inaccessible to some, a way of life for others. Rotating exhibitions at museums of modern art may... Read More
Reviews
What do you get when you mix generational trauma and health wellness and sexual identity and ghosts and cadavers and diet culture and binge eating... Read More
The moment Cooper Hoffman’s Elliot awakens with a bloody lip and wearing only a pink lacy bra and panties, it’s clear Gregg Araki’s new film... Read More
On Friday night at the Eccles Theatre in Park City, Utah, Sundance attendees found themselves in the midst of an unplanned Charli xcx double feature.... Read More
Fans of Silent Hill—legendary Japanese game developer Konami’s landmark psychological horror series (typically) about the terrors lurking within a quiet, Midwestern American hamlet—have had a... Read More
Anyone who saw 28 Years Later would likely pinpoint the last two minutes of the film as a source of serious excitement, bewilderment, or some... Read More
Is there anything sexier than capital accumulation? Industry has, for three seasons now, been begging its audience to answer this question while simultaneously proving itself... Read More
One year ago, ER alums R. Scott Gemmill and Noah Wyle reinvigorated the medical drama when The Pitt premiered on Max and became one of... Read More
Religious dramas are not really my cup of tea, to use a British expression. I’m a big fan of Ingmar Bergman, but I’m not really... Read More
While Russell Tovey was making the press rounds for Plainclothes, in an interview with IndieWire, he commented on the legacy of the HBO series Looking... Read More

‘The Gallerist’ Review: Art Imitates Death in Cathy Yan’s Stylized and Funny Sendup on Navel Gazing Art World [B+] | Sundance
‘Saccharine’ Review: Stop Relying on That Body-ody-ody Horror [C] | Sundance
‘I Want Your Sex’ Review: Cooper Hoffman and Olivia Wilde Get Natural and Habitual in Gregg Araki’s Surprisingly Insightful Dom-Com [B+] | Sundance
‘The Moment’ Review: Charli xcx is brat+ in Trappings of Fame Mock Doc [B] | Sundance
‘Return to Silent Hill’ Review: Christophe Gans’s Belated Sequel Gets Lost in the Fog of Lackluster Video Game Movies [C-]
‘Industry’ Season Four Review: Let Them Eat Bank [A-]
‘The Pitt’ Season Two Review: Television’s Best Drama is Back [A]
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
Make it a Double Feature: ‘Plainclothes’ and ‘A Nice Indian Boy’
Laura Dern, Carol Burnett, Cameron Crowe Added to TCM Classic Film Festival; Rare ‘Letty Lynton’ Restoration Set
Academy Award-winning Filmmaker Steven Bognar Boards Yael Bridge’s ‘Who Moves America’ Doc as Executive Producer [EXCLUSIVE]
‘Euphoria’ Season 3 Review: What’s Left to Do for the Teens of East Highland High but to Rue the Day [C+]
Alana Haim and Mamoudou Athie on Supporting Each Other Through ‘The Drama’