Writer-director Jim Jee-woon reteams with Parasite actor Song Kang-ho in this delirious, self-knowing satire on the filmmaking process. Cobweb asks meaningful questions about the creative... Read More
Reviews
Tiny toes sporting a fresh pedicure step daintily across a carpet as a harp plays. Garish decor, swans, tchotchkes, and framed records tell us we’re... Read More
In last year’s conductor-focused, brilliantly layered New York Film Festival selection, TÁR, Todd Field depicts an interaction between maestro Lydia Tár and a possible conquest... Read More
People are innately intrigued with murder mysteries and the reasonings behind such violent and heinous acts. It’s human nature to want to discover the truth,... Read More
Not every romantic relationship has to be equitable, and there’s no shame in that – unless you’re into that. Joanna Arnow’s directorial debut follows a... Read More
The specter of The Exorcist looms large over modern horror filmmakers. William Friedkin’s tale of demonic possession wasn’t so much released in 1973 as it... Read More
With the onslaught of comic-book adaptations and cinematic visions based on characters from superhero stories, it’s become easy to feel a bit of fatigue when... Read More
Tales of expeditions to explore previously unincorporated lands are all too often whitewashed in history as positive roots of a bright young nation, offering an... Read More
It’s 2065 in The Midwest. The climate crisis has ravaged the planet with floods, fires, and a slew of natural disasters. A piece of the... Read More
It’s hard to remember the last great original science fiction movie that felt like it truly represented something astounding for the genre. Was it James... Read More

‘Cobweb’ Review: Song Kang-ho is Pitch-perfect in this Delirious Meta-Comedy | LFF
‘Priscilla’ Review: Cailee Spaeny is Magnificent in Sofia Coppola’s Intricate Diary of A Lonesome Teenage Girl | NYFF
‘Maestro’ Review: Bradley Cooper’s Upper West Side Story is a Stylish, Marital Melodrama | NYFF
‘Only the River Flows’ Review: Wei Shujun’s Gritty Neo-Noir Grips with Old-Fashioned Storytelling | LFF
‘The Feeling That the Time for Doing Something Has Passed’ Review: Joanna Arnow’s Eye-Opening Look at Power, Control and Malaise | NYFF
‘The Exorcist: Believer’ Review: Will the Devil Ever Give David Gordon Green His Soul Back?
‘Loki’ Season Two Review: Tom Hiddleston’s Marvelous Jester is Back and Better Than Ever, Ke Huy Quan is a Perfect Fit in the MCU
‘The Settlers’ Review: A Searing Examination of Power Dynamics and Land Appropriation in Early 20th Century Chile | NYFF
‘Foe’ Review: Saoirse Ronan and Paul Mescal Fail to Launch Garth Davis’ Scenes from a Futuristic Marriage | NYFF
‘The Creator’ Review: Gareth Edwards Brings a Fresh Spin to What Could Have Been Stale Sci-Fi
‘The Moment’ Review: Charli xcx is brat+ in Trappings of Fame Mock Doc [B] | Sundance
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
Director Watch Podcast Ep. 136 – ‘Rules Don’t Apply’ (Warren Beatty, 2016)
2026 Oscar Nomination Reactions from Timothée Chalamet, Rose Byrne, Wagner Moura and More