Films dealing with brain diseases such as dementia have long been overwhelmingly emotional experiences that pulled on heartstrings, emphasizing its characters’ ordeal and showcasing the... Read More
Reviews
The career of Tarsem Sing Dhandwar encompasses only five films since the year 2000, when his debut feature The Cell blew the minds of audiences.... Read More
This review contains spoilers. In her feature film debut Shayda, which will represent Australia in this year’s Best International Feature Film Oscar race, Iranian-Australian filmmaker... Read More
The Movie Emperor is a satire that wastes no time in showing its presence. We open with a group of crew members preparing the red... Read More
Quebec actor Théodore Pellerin is quietly making a name for himself in Canada and the United States. He’s made such prolific American films as Boy... Read More
“Only good things come with time,” a vicious comeback said by Thelonious ‘Monk’ Ellison (Jeffrey Wright) when getting into a heated argument with a fellow... Read More
It is said in soccer that if the goalie needs to block the ball, that means the rest of the team already failed somewhere else.... Read More
In her impressive directorial debut Woman of the Hour, actress-turned-director Anna Kendrick builds on a horrifying true crime case to deliver an unflinching look at... Read More
One of the smartest, most satisfying films at the Toronto International Film Festival this year, Ilker Çatak’s The Teachers’ Lounge uses a German school as... Read More
Egyptian-Austrian filmmaker Abu Bakr Shawky made quite the splash in 2018 with his debut feature film Yomeddine which became the first ever Egyptian debut film... Read More

‘Memory’ Review: Michel Franco’s Latest Favors Restraint and Contemplation as Peter Sarsgaard and Jessica Chastain Give Staggering Performances | Toronto
‘Dear Jassi’ Review: Tarsem Frames Real Life Honor Killing as Stirring Spin on ‘Romeo & Juliet’ in His Best Film to Date | Toronto
‘Shayda’ Review: Noora Niasari’s Narrative Feature Debut is a Striking, Moving Tale of Resistance and Empowerment | Toronto
‘The Movie Emperor’ Review: How I Learned to Stop Worrying and Love the Red Carpet | Toronto
‘Solo’ Review: Théodore Pellerin is Spectacular in Heart-Rending Exploration of the Montreal Drag Club Scene | Toronto
‘American Fiction’ Review: Cord Jefferson’s Bold and Broad Satire Finds Jeffrey Wright Giving One of the Best Performances of His Career | Toronto
‘A Normal Family’ Review: The Kids Are Not Alright | Toronto
‘Woman of the Hour’ Review: Anna Kendrick’s Directorial Debut Intelligently Examines the Convergence of Toxic Masculinity and Gender Prejudice | Toronto
‘The Teachers’ Lounge’ Review: Ilker Çatak’s Oscar Entry from Germany is a Brilliant and Powerful Reflection on Flawed Democracies | Toronto
‘Hajjan’ Review: Abu Bakr Shawky’s Follow-Up to ‘Yomeddine’ a Mostly Enjoyable Crowd Pleaser That Rings a Bit Hollow | Toronto
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+]
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-]
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+]
‘They Will Kill You’ Review: Zazie Beetz’s Final Girl Slays in Gonzo Satanic Slasher [B+] SXSW