The job of a critic is to provide recommendations for the general public based on a presumed strong understanding of art forms. In the present... Read More
Reviews
The absence of a parent in childhood or adulthood can be just as powerful and impactful as the presence of one. Losing multiple parents can... Read More
A hitman with dementia trying to carry out one last job is the kind of premise that could easily go off the rails and devolve... Read More
On his way to another showing of a property he is trying to sell, Will Grady (Justin Timberlake) gets an alert on his phone from... Read More
Christos Nikou opens his newest film with a quote, or a common consensus in the scientific community: that the first signs of heart problems can... Read More
Conventional but still enjoyable, Taika Waititi’s Next Goal Wins presents the real story of the American Samoa football team, who had broken the record for... Read More
Making the transition from cinematography to directing, Ellen Kuras delivers a biopic that, while boasting competent technical credits, lacks the ambition, risk-taking and ferocious nature... Read More
In Pain Hustlers, David Yates embarks on a different kind of project that couldn’t be further away from his recent franchise output (most notably 7... Read More
Chris Pine loves noir films. Mostly Chinatown, but really just noir films in general. This much is clear from his directorial debut Poolman, in which... Read More
Palestinian British filmmaker Farah Nabulsi’s previous short film, The Present, catapulted her to worldwide acclaim with its heartfelt story about parental love and sacrifice. Now... Read More

‘The Critic’ Review: Ian McKellen and Gemma Arterton Astound in a Period Portrait of a Cheeky Connoisseur | Toronto
‘North Star’ Review: Kristin Scott Thomas Gets Personal as She Tackles Family Dynamics and Loss in Directorial Debut Inspired by Her Own Life | Toronto
‘Knox Goes Away’ Review: Michael Keaton’s Dementia-Stricken Hitman Anchors a Focused Character Study | Toronto
‘Reptile’ Review: A Benicio del Toro and Alicia Silverstone Reunion Can’t Save Convoluted Crime Drama | Toronto
‘Fingernails’ Review: Jessie Buckley and Riz Ahmed’s Chemistry is the High Point in Christos Nikou’s Analog Dating Dramedy | Toronto
‘Next Goal Wins’ Review: Michael Fassbender is Pitch Perfect in Taika Waititi’s Enjoyable Underdog Sports Story | Toronto
‘Lee’ Review: Kate Winslet and Andy Samberg Excel in Ellen Kuras’ Largely Unambitious Debut Feature | Toronto
‘Pain Hustlers’ Review: David Yates Delivers a Conventionally Accessible Look at Corporate Greed | Toronto
‘Poolman’ Review: Chris Pine Skims the L.A. Underbelly in Homage to Classic Noir | Toronto
‘The Teacher’ Review: Farah Nabulsi’s Feature Debut is a Mildly Satisfying, if Narratively Muddled, Take on Repressed Anger | Toronto
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+]
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-]
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+]
‘They Will Kill You’ Review: Zazie Beetz’s Final Girl Slays in Gonzo Satanic Slasher [B+] SXSW