It can be simultaneously exhilarating and exhausting to watch a film that is so thoroughly on its own wavelength that you have to either get... Read More
Reviews
A few years after Saudi cinema made a splash with Haifa Al Mansour’s Wadjda and the Perfect Candidate, the Kingdom witnessed a major overhaul with... Read More
“Mom, I have to go. Look where we live, our house is coming down.” These are the words Seydou, the protagonist of Matteo Garrone’s Io... Read More
‘You will devote your life to conquering death’: so is foretold to the titular protagonist of Giorgio Diritti’s Lubo (Franz Rogowski) before he embarks on... Read More
If there was a theme for the 2023 Venice Film Festival lineup it would most certainly be hitmen. This year Venice attendees have been given... Read More
“I want to do this for a good feeling and for a bad one,” Flannery O’Connor declares in her short book The Prayer Journal. In... Read More
Examining non-fictional source material through its process of creation is always a fascinating endeavour. Ava DuVernay has adapted Pulitzer Prize-winning journalist and author Isabel Wilkerson’s... Read More
“Is this real?” The connections to our past can be tenuous, where we lose grasp of even simple memories or they can tether us to... Read More
On a party boat heading into the harbor of Sydney, Australia, we find Hanna (Julia Garner) and Liv (Jessica Henwick), two American best friends in... Read More
Ryûsuke Hamaguchi’s latest has a peculiar backstory. It was originally intended to be paired with singer Ishibashi Eiko’s live performances of her new songs. But... Read More

‘Dicks: The Musical’ Review: A Naughty Bawdy Gaudy Sporty Musical Comedy Out That Alphas the Alphas | Toronto
‘Mandoob (Night Courier)’ Review: Ali Kalthami’s Nocturnal Debut Feature is a Satisfying Plunge into Saudi Nightlife | Toronto
‘lo Capitano’ Review: Garrone’s Migrant Story is Well Intentioned but Ultimately Slight | Venice
‘Lubo’ Review: Franz Rogowski is Extraordinary in Giorgio Diritti’s Sometimes Brutal Work | Venice
‘In the Land of Saints and Sinners’ Review: Liam Neeson Does his Usual Liam Neeson Thing in this Middling Action Thriller | Venice
‘Wildcat’ Review: Ethan Hawke Channels Flannery O’Connor’s Singular Voice in this Moving, Meandering Passion Project | Telluride
‘Origin’ Review: Aunjanue Ellis-Taylor’s Stunning Performance Drives Ava DuVernay’s Story of the American Caste System | Venice
‘All of Us Strangers’ Review: Andrew Haigh Devastates with a Masterful Story of Love and Loss in One of the Year’s Best Films | Telluride
‘The Royal Hotel’ Review: Julia Garner and Jessica Henwick Find Out the Danger of Simply Being a Woman in Kitty Green’s Outback Thriller | Telluride
‘Evil Does Not Exist’ Review: Ryûsuke Hamaguchi Delivers with a Simple and Authentic Slow Burner | Venice
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]