Exactly ten years after the singular sci-fi achievement that was Under the Skin, writer-director Jonathan Glazer is back in Cannes’ Main Competition with a new,... Read More
Reviews
Australian director Warwick Thornton lets you know from the beginning that the Aboriginal boy (a mesmerizing Aswan Reid), who arrives at a remote monastery, is... Read More
Taking the reins from Steven Spielberg is no easy feat, but James Mangold proves that he’s up for the task with this adventurous fifth and... Read More
Steve McQueen is back with his first film since Small Axe, part of his extremely ambitious 5-film anthology series. His documentary feature debut Occupied City,... Read More
Monster marks the seventh in-competition film at Cannes for Hirokazu Kore-eda, who directed last year’s tender Korean film Broker. Back in his native Japan, Kore-eda... Read More
At one point during Fast X, a mysterious government agent played by Alan Ritchson tells street racer-turned-crime fighter Dominic Toretto (Vin Diesel), “The days when... Read More
At the height of the pandemic, virtual gatherings and, yes, book clubs became places where people found solace amidst the chaos and isolation. Book Club:... Read More
Television’s raunchiest historical fiction show is back, and this time it’s a scandalous family affair for everyone involved. The Great returns to Hulu on May... Read More
L.I.E. is an unusually frank and unwaveringly perceptive film in which every character seems to live in line with the metaphorical anagram of the title.... Read More
The Bluths, The Johnsons, the Pritchetts and the Dunphys, the Arnolds, and the Roses. What do these families all have in common? Not only have... Read More

‘The Zone of Interest’ review: Jonathan Glazer’s Auschwitz-set drama is monumental in its representation of the seen and unseen horror of the Holocaust | Cannes
‘The New Boy’ review: Cate Blanchett and Aswan Reid stun in Warwick Thornton’s spiritually dense Aboriginal fable | Cannes
‘Indiana Jones and the Dial of Destiny’ review: Harrison Ford says farewell in this nostalgic, thrilling final chapter | Cannes
‘Occupied City’ review: Steve McQueen’s documentary feature debut is an ambitious, if overlong, account of occupied Amsterdam | Cannes
‘Monster’ review: Hirokazu Kore-eda’s return to Japan is a nuanced morality tale | Cannes
‘Fast X’ review: The ‘Fast & Furious’ franchise may be running on fumes, but Jason Momoa makes it a fun ride
‘Book Club: The Next Chapter’ review – The fantastic foursome escapes to Italy in this messy romantic comedy
‘The Great’ season 3 review: New era brings us into the Age of Enlightenment, and it’s a sinner’s delight
Retro Review: ‘L.I.E.’ (2001)
‘The Other Two’ season 3 review: TV’s sharpest satire hits new heights with its most surreal take on the entertainment industry yet
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10