‘Self Reliance’ review: Jake Johnson’s spoof on high concept game show premise plays it a bit too safe | SXSW
Right before we were about to see Jake Johnson’s feature length directorial debut Self Reliance at the 2023 SXSW Film Festival, he came on stage... Read More
Reviews
‘I Used to Be Funny’ review: Rachel Sennott is spectacular in Ally Pankiw’s confrontation of comedy and trauma | SXSW
How do comedians deal with PTSD? Typically, it’s to tell jokes to mask or subvert the trauma, but that doesn’t necessarily make the pain go... Read More
‘Bottoms’ review: Emma Seligman’s unapologetically queer-centric high school sex comedy is a revelation for the subgenre | SXSW
As Emma Seligman’s sophomore feature film, Bottoms, begins, we are introduced to PJ (Rachel Sennott) and Josie (Ayo Edebiri), our two protagonists who we will... Read More
‘Dungeons & Dragons: Honor Among Thieves’ review: Quest love and the friends you met along the way | SXSW
Behind the core of the role playing fantasy board game Dungeons and Dragons (D&D) lies the simple idea that makes audiences go to the movies;... Read More
‘National Anthem’ review: Luke Gilford explores the wondrous, inviting world of America’s queer rodeo | SXSW
Midway through National Anthem, Dylan (Charlie Plummer) asks Sky (Eve Lindley) why she’s interested in him, self-proclaiming that he’s boring. “I don’t think you’re boring,”... Read More
‘Ted Lasso’ season 3 review: The Emmy-winning hit proves an unforgettable match with signature wit and charm
It would be reasonable to doubt a last place team who uses a forgetful goldfish as their honorary mascot, but it is exactly this sentiment... Read More
‘Funny Games (1998) and (2008)’ retrospective: How Michael Haneke broke the rules in his continent-crossing examination of privilege, nihilism and violence
While both iterations of Funny Games technically ran in their first few festival circuits in 1997 and 2007, it feels appropriate to mark the anniversaries... Read More
‘Scream VI’ review: Welcome to New York, it’s been slaying for you as thrills, tension, and blood flow in gory legacy sequel
When Radio Silence duo Matt Bettinelli-Olpin and Tyler Gillett rebooted Wes Craven’s iconic franchise, 2022’s Scream, (the first sequel since the filmmaker had passed away),... Read More
‘Daisy Jones & the Six’ review: A sizzling adaptation of Taylor Jenkins Reid’s 1970’s-era rock band novel might be spring’s next hit album
When we read about fictional bands, we usually can only imagine what their music would sound like. But Amazon Prime’s new limited series Daisy Jones... Read More
‘Suzume’ review: Makoto Shinkai’s latest anime masterpiece is a jaw-dropping epic | Berlinale
If you follow the career of Makato Shinkai, you know he is renowned world-wide for his anime films, Your Name and Weathering With You being... Read More
‘I Want Your Sex’ Review: Cooper Hoffman and Olivia Wilde Get Natural and Habitual in Gregg Araki’s Surprisingly Insightful Dom-Com [B+] | Sundance 
Denver Film Critics Society (DFCS) Awards: ‘Sinners’ Tops Wins with Film and Director 
‘The Moment’ Review: Charli xcx is brat+ in Trappings of Fame Mock Doc [B] | Sundance 
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions