‘Transformers: Rise of the Beasts’ review: Anthony Ramos and Dominique Fishback breathe new life into the robot-loving franchise
The Transformers live-action franchise has an interesting place in the current mix of over-saturated sequels, reboots and superhero films in that it predates the Marvel... Read More
Reviews
‘The Flash’ review: Michael Keaton’s Batman shines in a bland and disconnected multiverse
We’re in our multiverse era and it is fitting that The Flash, a film dealing in divergent paths and multiverses would have its own long-winding... Read More
‘Spider-Man: Across the Spider-Verse’ review: The shape-shifting sequel pulls you into its wondrous web
Let’s do things differently this time. It’s a line spoken by the punk little drummer girl of a Spider-Woman, Gwen Stacy (Hailee Steinfeld), who opens... Read More
‘Elemental’ review: Pixar’s chemical romance simmers with creative spark in a tale as old as time | Cannes
And so we say au revoir to another Cannes Film Festival. The closing film of the prestigious festival was the newest outing from animation powerhouse;... Read More
‘Anatomy of a Fall’ review: Justine Triet’s courtroom drama features an impeccable performance from Sandra Hüller at the helm | Cannes
With what is only her fourth feature film, French filmmaker Justine Triet has made a strong call for award recognition. After her 2019 Cannes Main... Read More
‘La Chimera’ review: Alice Rohwacher’s most accomplished work to date digs into life, love, and grave-robbing | Cannes
The concept of a chimera, however colloquialized, still remains a bit too abstract to pin down. If one approaches Alice Rohrwacher’s fourth feature, La Chimera,... Read More
‘Last Summer’ review: Catherine Breillat grounds her provocative romance with truth and a staggering performance from Léa Drucker | Cannes
For her first feature film in over 10 years, Catherine Breillat made the surprising choice of adapting Queen of Hearts, May El Toukhy’s Danish provocative... Read More
‘The Pot Au Feu’ review: Trần Anh Hùng offers a feast for the eyes but is missing a key ingredient | Cannes
Have you ever cried when you tasted something for the first time? In The Pot Au Feu, the most mouth-watering edition to this year’s Cannes... Read More
‘Banel & Adama’ review: An imperfect yet visually stunning directorial debut from Ramata-Toulaye SY | Cannes
From northern Senegal and director Ramata-Toulaye SY comes one of the most visually stunning films out of the Cannes lineup this year: Banel & Adama.... Read More
‘Kadib Abyad (The Mother of All Lies)’ review: Asmae El Moudir stunningly recreates a buried Moroccan past | Cannes
Over the last few years, a strong ascension of Moroccan cinema started taking shape on an international scale, with the effective participation of major fresh... Read More
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+] 
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-] 
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+] 
‘They Will Kill You’ Review: Zazie Beetz’s Final Girl Slays in Gonzo Satanic Slasher [B+] SXSW