Femme is a neo-noir-inspired queer revenge thriller that stars British actors Nathan Stewart-Jarrett and George MacKay. Writer-directors Sam H. Freeman and Ng Choon Ping show... Read More
Reviews
Margarethe von Trotta’s latest film is a graceful triumph of modern European cinema. Vicky Krieps is the window into the heart of von Trotta’s film,... Read More
The Wound, the acclaimed debut by the South African director John Trengove, provides a good launchpad for his sophomore feature, with Xhosa initiation traditions swapped... Read More
Playwright Tina Satter makes her screen debut with Reality, a simmering investigative drama reconstructing the arrest of Reality Winner, an NSA contractor and ex-Air Force... Read More
American indie favorite Dustin Guy Defa returns to Berlinale with a feature almost a decade after his short film Person to Person screened fresh out... Read More
BlackBerry, the follow-up to his 2016 docu-fiction Operation Avalanche, sees actor-director Matt Johnson put inventors, investors, and the internet to the test in a nostalgia-fueled... Read More
The latest film from writer-director Rebecca Miller (Maggie’s Plan, Personal Velocity) starring Oscar winners Anne Hathaway and Marisa Tomei and Emmy winner Peter Dinklage, is... Read More
Despite maintaining a firm position as the most financially successful film franchise of all time, the Marvel Cinematic Universe has been chugging towards an undeniable... Read More
Titanic is the first film that I can remember watching. I was too young to see it during its first time in theaters, but first... Read More
Nicole Kidman’s AMC ad is a new kind of national anthem for moviegoers and people who are generally savvy when it comes to pop culture.... Read More

‘Femme’ review: George MacKay is frightening as a hyper-masculine thug in this daring London-set neo-noir | Berlinale
‘Ingeborg Bachmann – Journey into the Desert’ review: Vicky Krieps disappears in Margarethe von Trotta’s elegant return to cinema | Berlinale
‘Manodrome’ review: Jesse Eisenberg is phenomenal in John Trengove’s fascinating take on toxic masculinity | Berlinale
‘Reality’ review: Sydney Sweeney is a tour de force in intense U.S. election whistleblower thriller | Berlinale
‘The Adults’ review: Dustin Guy Defa misses the mark in this quirky family drama | Berlinale
‘BlackBerry’ review: 90s nostalgia yields little cinematic juice in what feels like mid-TV at best | Berlinale
‘She Came to Me’ review: Peter Dinklage, Marisa Tomei and Anne Hathaway stun in ace rom-com dramedy | Berlinale
‘Ant-Man and the Wasp: Quantumania’ review: Jonathan Majors conquers in ugly, lackluster entry of the MCU
‘Titanic’ at 25: My heart still goes on for a masterpiece as magnificent and tragic as the ship itself
‘Magic Mike’s Last Dance’ review: We come to this place for Magic (Mike) and one final strip across the pond
Kansas City Film Critics Circle (KCFCC) Awards: ‘One Battle After Another’ Named Best Film
Utah Film Critics Association (UFCA) Nominations: ‘One Battle After Another,’ ‘Sinners’ Lead
Women Film Critics Circle (WFCC) Winners: ‘Hamnet,’ ‘If I Had Legs I’d Kick You’ Lead
Philadelphia Film Critics Circle (PFCC) Winners: ‘One Battle After Another,’ ‘Sinners’ Fight It Out