Juan Diego Botto’s directorial debut pulls no swings when it comes to social realism, it is a restless drama that follows a set of people... Read More
Reviews
If a director is lucky enough to find success in Hollywood, chances are they will stick with whatever works – it’s the rare director who... Read More
The job of an investigative journalist is to dive deep into the fray, willing to get their hands dirty to undercover the truth of the... Read More
As long as cinema has existed, there have been “based on true events” films. George Méliès’ Joan of Arc (Jean D’Arc), released in 1900, is... Read More
From the opening scene of Smile, the feature film debut of writer-director Parker Finn, you know exactly what kind of horror film you are getting... Read More
Why do people get married? Does love have to play a role in marriage? Or is companionship more important? These are some of the questions... Read More
At the beginning of his 1928 novel, All Quiet on the Western Front, Erich Maria Remarque issues the following statement: “This book is to be... Read More
One of the most anticipated films at this year’s Toronto International Film Festival, Rian Johnson’s Glass Onion: A Knives Out Mystery arrives three years after... Read More
If you were a young gay growing up in the height of the 80s to 90s rom-com era of Julia Roberts and Meg Ryan you... Read More
One of the most anticipated feature debuts at this year’s Toronto International Film Festival, Basil Khalil’s A Gaza Weekend is the filmmaker’s follow-up to his... Read More

‘On the Fringe’ review: Juan Diego Botto’s directorial debut with Penélope Cruz is an ambitious but fractured effort [C] | Zurich
‘The Ice Storm’ retrospective: How Ang Lee’s 70s suburban American drama remains his most underrated masterpiece
‘Mister Organ’ review: Obsession take centerstage in David Farrier’s twisted documentary about an insidious liar [B] | Fantastic Fest
‘The Swimmers’ review: Sally El Hosaini’s drama is a harrowing true tale of survival and dreams [B+] | Zurich
‘Smile’ review: Inventive jump scares and Sosie Bacon’s committed performance are just enough to carry Parker Finn’s horror debut [C+] | Fantastic Fest
‘What’s Love Got to Do With It?’ review: Lily James and Shazad Latif charm in Shekhar Kapur’s unique outlook on love [B-] | Toronto
‘All Quiet on the Western Front’ review: Edward Berger’s adaptation of Remarque’s classic anti-war novel is a staggering achievement [A] | Toronto
‘Glass Onion: A Knives Out Mystery’ review: Rian Johnson’s follow-up to his smash hit is a worthy sequel that entertains and grips throughout [B+] | Toronto
‘Bros’ review: Billy Eichner flips the script and gives us a hilarious and heartfelt gay rom-com that’s one of the funniest films of the year [A-]
‘A Gaza Weekend’ review: Basil Khalil’s feature debut is an underwhelming, uneven comedy of finding human compassion in the direst of circumstances [C-] | Toronto
‘I Want Your Sex’ Review: Cooper Hoffman and Olivia Wilde Get Natural and Habitual in Gregg Araki’s Surprisingly Insightful Dom-Com [B+] | Sundance
Denver Film Critics Society (DFCS) Awards: ‘Sinners’ Tops Wins with Film and Director
‘The Moment’ Review: Charli xcx is brat+ in Trappings of Fame Mock Doc [B] | Sundance
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions