Director Luca Guadagnino is working on levels of comfort, or discomfort, most directors take their entire career to find. His last two directorial efforts brought... Read More
Reviews
Florian Zeller’s stage trilogy about parent-child relationships and the devastating consequences of mental illness was one of the biggest surprises in the theater world of... Read More
The legitimacy of miracles is front in center in Sebastián Lelio’s eerie period piece, The Wonder. Some people argue that miracles come in all forms... Read More
Telling someone they are being “very British” is almost never meant as a compliment. The cursed phrase connotes repression, quiet, politeness over honesty, a love... Read More
Our lives can sometimes be impacted by irreparable trauma, and even though we heal from it, it will leave us scarred. A parent’s rejection of... Read More
Filmmakers often use cinema to tell personal stories, sometimes stories straight from their own childhood. Recently we’ve seen Alfonso Cuarón, Paolo Sorrentino, Kenneth Branagh, Steven... Read More
Considering its humble roots as an original series on the short-lived YouTube Red, it’s been nothing short of a delight to watch Cobra Kai slowly... Read More
‘Don’t Worry Darling’ review: Be ready to witness a spectacular disaster [C-] | Venice Film Festival
‘Don’t Worry Darling’ review: Be ready to witness a spectacular disaster [C-] | Venice Film Festival
Throughout the story of the United States, there has often been called the ‘American Dream.’ Beyond the obvious rags-to-riches story, what is materially the American... Read More
Pádraic (Colin Farrell) is a happy-go-lucky guy. He walks fictional Irish island Inisherin, in April 1923, as if he gets on with everyone, and convinces... Read More
We watch movies because we seek entertainment, but at the same time we watch them because we want to be reassured that our world views... Read More

‘Bones and All’ review: Taylor Russell and Timothée Chalamet are fine young cannibals in Luca Guadagnino’s gory, romantic road-mance [A-] | Telluride Film Festival
‘The Son’ review: Florian Zeller’s sophomore effort disappoints despite a great Hugh Jackman [C+] | Venice Film Festival
‘The Wonder’ review: Florence Pugh’s performance and Ari Wegner’s cinematography deliver in Sebastián Lelio’s effective gothic drama [B] | Telluride Film Festival
‘The Eternal Daughter’ review: Tilda Swinton shines in Joanna Hogg’s painful, personal drama [A] | Venice Film Festival
‘Monica’ review: Trace Lysette is a revelation in Andrea Pallaoro’s delicate story of family and acceptance [B+] | Venice Film Festival
‘L’immensità’ review: A solid performance from Penélope Cruz doesn’t save Emanuele Crialese’s broadly drawn family drama [C+] | Venice Film Festival
‘Cobra Kai’ review: Season three ups the ante with more karate and more laughs [A]
‘The Banshees of Inisherin’ review: Brendan Gleeson and Colin Farrell fight a personal Irish Civil War in Martin McDonagh’s green and black comedy [B+] | Venice Film Festival
‘The Whale’ review: Brendan Fraser’s incredible performance anchors a cathartic, emotional powerhouse [A] | Venice Film Festival
AwardsWatch Podcast Ep. 342: Reviewing ‘Mother Mary’
On the Shelf: ‘Send Help,’ ’28 Years Later: The Bone Temple,’ ‘Die My Love,’ “Sleepers,’ and ‘Point Blank’ Highlight the 4K Physical Media releases for the Week of April 20
AwardsWatch Podcast Ep. 341 – Diving into Emmy Season with First Predictions
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers