There are films that linger with you after the lights go back on. You keep thinking about them, their characters never leaving your thoughts, as... Read More
Reviews
Certainly one of the year’s standout films, Jerzy Skolimowski’s EO is almost silent but says quite a lot about humanity, or lack thereof, showing us... Read More
BDSM has gotten a bad rap on film. Often presented as something indicative of a broken psyche or deviant behavior, the closest we’ve gotten to... Read More
It’s hard to deny the impact and popularity of a buddy war movie, especially after the unstoppable success that Top Gun: Maverick saw. Devotion, directed... Read More
Most epic films with elaborately choreographed battle scenes and rousing crowd-pleasing moments are overwhelmingly male-dominated. From Spartacus to Braveheart, they employ men both in front... Read More
To create cinema, to tell a story, to perform in a film…these are all seemingly enjoyable yet inherently painful and arduous, simply because as a... Read More
Can two actresses who have spent seven years portraying best friends in a popular TV show succeed at playing completely different characters in a movie... Read More
As a full orchestra plays a sweeping Old Hollywood-style melody, a young girl cheerfully goes about her chores on a farm. She feeds the animals,... Read More
Don’t say you’ve seen it all with movies based on true stories. Many of them are brilliant. Some can be unbelievable. But few are as... Read More
Following a string of acclaimed stop-motion animated features that have cemented him as one of the most exciting voices in the enchanting world of animation,... Read More

‘Saint Omer’ review: Alice Diop’s feature debut is a radical, unsettling, and fascinating look at motherhood [A-] | Toronto
‘EO’ review: Jerzy Skolimowski’s film is a poetic, contemplative and heartbreaking account of human cruelty [A-] | Toronto
‘Sanctuary’ review: Christopher Abbott and Margaret Qualley sizzle in a twisty, sexy romance that slaps [B+] | Toronto
‘Devotion’ review: A sometimes generic buddy war flick elevated by a moving true story at its heart [B-] | Toronto
‘The Woman King’ review: Viola Davis leads a Black female blockbuster film that will excite and awe audiences [B+] | Toronto
‘The Worst Ones’ review: Romane Gueret and Lise Akoka’s blurred reality drama is one of the most touching and illuminating films of the year [A-] | Toronto
‘Moving On’ review: Jane Fonda and Lily Tomlin reliably anchor a comedy without a clear direction [B-] | Toronto
‘Pearl’ review: Mia Goth and Ti West deconstruct old Hollywood and take us on a Technicolor trip through a twisted mind [B+] | Toronto
‘The Greatest Beer Run Ever’ review: Good intentions barely keep the lukewarm suds afloat [C] | Toronto
‘Wendell & Wild’ review: Henry Selick’s newest is a charming, bold and mostly satisfying film about wrestling with one’s demons [B] | Toronto
AwardsWatch Podcast Ep. 342: Reviewing ‘Mother Mary’
On the Shelf: ‘Send Help,’ ’28 Years Later: The Bone Temple,’ ‘Die My Love,’ “Sleepers,’ and ‘Point Blank’ Highlight the 4K Physical Media releases for the Week of April 20
AwardsWatch Podcast Ep. 341 – Diving into Emmy Season with First Predictions
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers