Brian Whisenant takes a ride down Mulholland Dr, looking back at David Lynch’s landmark film and talks with actor Patrick Fischler and the film’s director... Read More
Retrospective
Alex Garland’s sophomore directorial feature, Annihilation, explores the ideas of corruption, destruction, and rebirth. Throughout the film, The Shimmer, also referred to as “Area X,”... Read More
1972’s Boxcar Bertha is an often overlooked, critically debated entry into Martin Scorsese’s filmography, mostly because it is a departure from his usual themes and... Read More
Twenty years since it first hit theaters, Training Day (2001) is likely best remembered as the film that netted Denzel Washington his first Oscar win... Read More
As the world awaits the return of the groundbreaking Matrix film franchise in December, it’s worth taking a moment to celebrate the 25th anniversary this... Read More
To this day, I still feel a close kinship with the disenfranchised, strung-out, narcoleptic gay hustler of Gus Van Sant’s My Own Private Idaho. The... Read More
“Dear God, it’s all so tragic And I’ll never have the chance To feel the closure that I ultimately need…” These are some of the... Read More
As America’s national past time, the sport of baseball has contributed to some of the most beloved family films in past decades. The Field of... Read More
We’re living in an IP hellscape. Superheroes dominate the box office, Disney shamelessly mimeographs their earlier animated offerings, and (although I turned it off an... Read More
“Amelia Mignonette Thermopolis Renaldi. Princess. Of. Genovia.” Give a woman of a certain age a microphone (and several cocktails—guilty) and she can easily recite this... Read More

Of Broken Dreams: A ‘Mulholland Drive’ retrospective
Why The Shimmer in ‘Annihilation’ is an allegory for the U.S.’s foreign policy [Retrospective]
Martin Scorsese’s timeless ‘Boxcar Bertha’ and the Marxist undertones of his often overlooked early classic [Retrospective]
‘Training Day’ at 20: Welcome back to the jungle [Retrospective]
‘Bound’ at 25: The mold-breaker of queer cinema still has us tied up after all these years [Retrospective]
‘My Own Private Idaho’ at 30: Revisiting the seminal arthouse indie through the eyes of a lonely, horny teenager [Retrospective]
‘Glitter’ 20 years later: How its legacy and Mariah Carey have continued to shine
The legacy of ‘The Sandlot’ is still a home run almost 30 years later
25 years later, the radical queerness of ‘A Very Brady Sequel’ lives on
Retrospective: 20 years later, Julie Andrews and Anne Hathaway remain the brightest crown jewels of ‘The Princess Diaries’
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes