“C’mon, Oscar,” says Bette Davis in The Star (1952), clutching one of her own golden statuettes from the 1930s. “Let’s you and me get drunk!”... Read More
Retrospective
Ever since its 1992 release, Francis Ford Coppola’s gonzo pop horror masterpiece Bram Stoker’s Dracula has played host to a performance that regularly tops lists... Read More
The recent drama surrounding Olivia Wilde’s Don’t Worry Darling was made up less of outright battles between the film’s key players and more of passive-aggressive... Read More
Julia Roberts has been many things throughout her storied 35-year career: Tinkerbell, a Flatliner, a Wicked Stepmother, a regular stepmother, even a Julia Roberts impersonator.... Read More
Burn your Laura Dern in Jurassic Park costume, turn off Hocus Pocus and throw your candy in the damn river because Halloween Ends (ended?) on... Read More
‘Jackass: The Movie’: 20 years later, the era of the teenage dirtbag lives on, concussions be damned
‘Jackass: The Movie’: 20 years later, the era of the teenage dirtbag lives on, concussions be damned
The Jackass film franchise is now twenty years old. With four films under their belt (plus three extra bonus feature films and a handful of... Read More
If you were a certain kind of teenager in 2012, The Perks of Being a Wallflower would’ve been your Bible. It defined how it felt... Read More
If a director is lucky enough to find success in Hollywood, chances are they will stick with whatever works – it’s the rare director who... Read More
On May 23, 1982, at the Cannes Film Festival, the lights rose after the world premiere screening of Pink Floyd: The Wall and director Alan... Read More
Kids today are so spoiled, with their Moonlights and Parasites and Nomadlands and CODAs winning Best Picture at the Oscars. Life seems so just and... Read More

‘The Star’ retrospective: Bette Davis put the camp in Oscar campaign in the zenith of meta awards movies
‘Bram Stoker’s Dracula’ at 30: Justice for Keanu!
‘What Ever Happened to Baby Jane?’ at 60: The horror of self-obsession and how art imitated life for Bette Davis and Joan Crawford [Retrospective]
From ‘Mystic Pizza’ to ‘My Best Friend’s Wedding,’ every Julia Roberts rom-com, ranked
The Original Final Girl: An ode to Laurie Strode and the end of ‘Halloween’
‘The Perks of Being a Wallflower’ at 10: How Stephen Chbosky turned “We accept the love we think we deserve” into a teenage celebration of self [Retrospective]
‘The Ice Storm’ retrospective: How Ang Lee’s 70s suburban American drama remains his most underrated masterpiece
‘Pink Floyd: The Wall’ at 40 retrospective: What the classic concept album turned jaw-dropping rock opera told us about the chilling rise of white male rage
‘L.A. Confidential’ retrospective: At 25, still the best neo-noir film of the latter 20th century
The SAG Awards Change Name to The Actor Awards
Emily Mortimer and Noah Baumbach on Crafting the Life of ‘Jay Kelly’ [VIDEO INTERVIEW]
19th Cinema Eye Honors Documentary Nominations: ‘Come See Me in the Good Light’ Leads with 6
Interview: How Miles Caton’s Spiritual, Musical Connection to Sammie Helped Bring Ryan Coogler’s Vision For ‘Sinners’ to Life