‘Elton John: Never Too Late’ Review: The Award-Winning Musician Sings a Final Farewell to His Fans and For Himself | TIFF

There are only so many ways to capture an icon on film. In Elton John’s case, there are now two. In 2019’s Rocketman, the superstar’s life was depicted via musical biopic, with Taron Egerton as the flamboyant performer. Now, there is Elton John: Never Too Late, a documentary film that tells the story of the pop star while following him on his five-year farewell tour. It’s a mostly by-the-numbers documentary that shines when it lets its subject be vulnerable about his past and rise to fame. 

R.J. Cutler’s documentary, based largely on audiotapes made for John’s memoir, starts in the middle of the pop icon’s rise to fame in the States in 1975. His performance to a crowd of at least 110,000 fans at the Dodger Stadium is marked as John’s star-making performance. Among the playful, kinetic use of archival footage from this period, we hear from John himself, who sheds light on the deep anguish he was going through during this period of apparent success. “My soul had gone dark. I wanted to be the person I was before all that,” he explains in voiceover. From here on out, Elton John: Never Too Late, will bounce back and forth from John’s past to chronicling his final tour, sharing the singer’s often tumultuous journey to stardom. From making it out of an abusive household to overcoming drug and alcohol addictions, Elton John: Never Too Late refuses to shy away from the singer’s struggles, which makes for an engaging and honest watch.

In animated segments, archival footage, and photographs, and through John’s own words from his memoir interviews, a portrait emerges of the artist. We first meet him as a small, lonely boy in England raised by parents who were often cruel. “My whole childhood was full of fear,” John explains over heartbreaking photos of his childhood self. Indeed, the documentary is full of vulnerable moments from the singer, most of them rendered in animated segments: John’s first time using cocaine, a wild night spent with friend and Beatle John Lennon, and the heartbreak of his first love with Joe Reid. It’s a nice way the film breaks up the otherwise average documentary format, allowing us a closer look at the star beyond the glossy archival photos and performance videos that make up the majority of the film.

The revelations from John’s past are insightful, giving the breaks to his present-day life a weight that might not otherwise be as underscored. For instance, a FaceTime call with John’s sons feels even more tender and true when you know about the difficult and often abusive childhood John had. His gentle nature and loving approach to his children over this one call is touching, a small moment that speaks volumes and shows the audience what kind of a person John has become despite the difficulties of his upbringing. The flashbacks in the film also provide insight into how John has grown as an artist because of everything he has already gone through. Watching John and his husband David Furnish record interviews with young artists like The Linda Lindas for John’s Apple Music show, Rocket Hour, is endearing. “Why do it? Because who would?” John explains after one recording session. He’s an artist who has not forgotten how tough it can be to come up in the music industry. This documentary understands the impact of the past on the present, and how it can change an artist in a multitude of ways. 

The tone of the documentary feels akin to a farewell tour itself. With a comprehensive look at the career of John that creates a throughline between the star’s first show at Dodger Stadium and his final U.S. show at the same venue, it creates a satisfying arc, even though the documentary doesn’t do anything revolutionary with its format or narrative construction. It’s a simple, well-made documentary that feels like an accompaniment to John’s final stretch of shows that went on for 330 concerts from 2018 to 2023. It’s at times emotional, quotidian, and genuinely cool to see an artist like John power through the entirety of his final tour. 

Elton John: Never Too Late is a vulnerable, welcome look at and farewell to an unmatched voice in pop music. From its openness about John’s struggles in childhood and adulthood to its chronicling of his massive farewell tour, the film feels like a fitting goodbye to a one-of-a-kind artist who prides himself on giving back and moving forward, no matter what obstacles have tried to hold him back.

Grade: B

This review is from the 2024 Toronto International Film Festival where Elton John: Never Too Late had its world premiere. The film will receive a limited theatrical release on November 15, 2024 before hitting Disney+ on December 13.

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Alejandra Martinez

Alejandra Martinez is an award-winning writer, film critic, and archivist based in Austin, TX. She is a member of the Austin Film Critics Association. Her writing has been published in multiple outlets including The Austin Chronicle, The Wrap, RogerEbert.com, and Letterboxd Journal.

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