Emmy Podcast #21- Talking Westworld, The Handmaid’s Tale, Roseanne and One Day at a Time with Vox.com’s Todd VanDerWerff
In the first Emmy podcast of the 2017-2018 television season I am joined by a familiar voice – Vox.com’s critic-at-large Todd VanDerWerff.
The first hour of this 90-minute podcast focuses heavily on the Outstanding Drama race which sees the return of Game of Thrones after taking a year off and now going up against last year’s winner The Handmaid’s Tale. How will that affect the return of Westworld? Its 22 nominations last year are likely to take a hit with Game of Thrones competing directly with it in multiple categories.
Delving into comedy finds a lot of talk about Roseanne‘s ratings-bonanza return, the chances for One Day at a Time to stake its Emmy claim and whether or not reboot fever (that also includes Will & Grace) will find its way to nominations. With Veep out of contention this year, the door opens for Amazon’s The Marvelous Mrs. Maisel (and Amy Sherman-Palladino into the Emmy conversation) as well as HBO still having four comedies to choose from in Silicon Valley, Curb Your Enthusiasm, Insecure and their freshman show Barry. We also talk about how FX could position Pamela Adlon and Better Things to have a much-needed conversation about Louis C.K. from one of the people closest to him.
Finally, Todd makes a desperate plea for…well, I’ll just let you listen and hear for yourself.
This podcast runs 1h 32m with opening and closing music.
Opening music: Westworld theme by Ramin Djawadi
Closing music: “This Is It,” by Gloria Estefan – theme song for One Day at a Time
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He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
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