MADONNA WEEK: Her Top 12 Videos, Ranked

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12. Girl Gone Wild (Mert Alas and Marcus Piggott, 2012)
A real throwback to her earlier days, this does what a good Madonna video should; have great dancing, good wigs and hot, shirtless men. Shot in black and white and featuring vogueing, homoeroticism and men in high heels, this is classic Madonna. It’s also a super dance track.

10. Bedtime Story (Mark Romanek, 1995) and Nothing Really Matters (Johan Renck, 1999)
Yeah, so I’m cheating a bit having two together but this pair of truly avant-garde videos are great examples of Madonna going off book and subverting expectations and succeeding enormously in the process. ‘Bedtime Story’ is a spectacular surrealist dream, unlike anything she had attempted in her career to this point and completely befitting such an esoterically song as written by Bjork. Replete with whirling dervishes and the singer giving ‘birth’ to a flock of doves and, of course, half a dozen glorious costume changes, ‘Bedtime Story’ remains one of her bravest works. ‘Nothing Really Matters’ exists deep in Japanese culture, with Madonna contorting and convulsing like an epileptic geisha in a crimson kimono (in a good way though) with extras that look like they’re from The Ring (again, in a good way). Johan Renck’s direction of the video was creative and brilliant, even if the single and video weren’t that successful commercially.

9. Drowned World/Substitute for Love (Walter Stern, 1998)
Deeply personal themes of motherhood and fame permeate this song and video, which features Madonna being chased through the streets by paparazzi on motorcycles, very eerily echoing the demise of Princess Diana under the same circumstances just a few months before. It’s a risky and brave concept that pays off. It also features one of the best endings to a Madonna video ever, all Mama Bear realness and protecting her own.

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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