‘Please Baby Please’ review: A stylized, liberated 1950’s underground fever dream that redefines traditional gender norms  | NewFest

October 18, 2022

Musicals from the 1950’s immediately conjure up vibrant images of guidos serenading girls in poodle skirts or elegant leading ladies… Read More

‘Blonde’ costume designer Jennifer Johnson to receive Golden Key Award from Key West Film Festival (Exclusive)

October 18, 2022

The Key West Film Festival announced today the recipient of its seventh annual Golden Key for Excellence in Costume Design, honoring… Read More

‘Aftersun’ review: Paul Mescal and Frankie Corio are mesmerizing as a father and daughter in limbo in Charlotte Wells’s extraordinary debut

October 18, 2022

In the opening minutes of Aftersun, a camcorder goes back through footage, stopping on a young girl asking her father,… Read More

2023 Oscar Predictions: VISUAL EFFECTS (October)

October 17, 2022

On December 21, the Academy will reveal the shortlist of 10 contenders who will be eligible to compete for a… Read More

‘Lady Chatterly’s Lover’ review: Little to love beyond Emma Corrin and Jack O’Connell’s performances in Laure de Clermont-Tonnerre’s listless adaptation | LFF

October 17, 2022

A spirit of thoughtless anachronism looms over Laure de Clermont-Tonnerre’s Lady Chatterley’s Lover, Netflix’s crude and cynical attempt at seeing… Read More

‘Fire of Love,’ ‘Good Night Oppy’ lead Critics’ Choice Documentary Awards nominations

October 17, 2022

Critics' Choice has announced the nominees for their annual Documentary Awards Sara Dosa’s fated love story Fire of Love led… Read More

‘Inland’ review: Mark Rylance enchants in this realistic yet enigmatic folklore-influenced directorial debut from Fridtjof Ryder | LFF

October 16, 2022

English writer-director Fridtjof Ryder's directorial debut is a taut, well-made micro budget feature. After a successful crowdfunding campaign and production… Read More

‘No Bears’ review: Jafar Panahi turns the camera on himself in powerful, subtly playful examination of limits personal, political and artistic | LFF

October 16, 2022

The remarkable prolificacy of Iranian filmmaker Jafar Panahi, and the even-more-remarkable spirit of subversiveness that has only burgeoned in his… Read More

Interview: ‘Everything Everywhere All at Once’ breakout star Stephanie Hsu on the joy of Joy, working with Michelle Yeoh and if she’s sick of bagels yet

October 16, 2022

Earlier this year, at the 2022 SXSW Film Festival, the world premiere of the Daniel’s Everything Everywhere All at Once… Read More

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