‘The Good Nurse’ review: Eddie Redmayne and Jessica Chastain are riveting in creepy true life murder mystery [B+] | Toronto

September 12, 2022

Longtime Thomas Vinterberg collaborator, Tobias Lindholm, marks his English-language debut with The Good Nurse, a gripping thriller with mainstream appeal.… Read More

‘The Inspection’ Review: Elegance Bratton’s personal exploration of perseverance is led by a transcendent Jeremy Pope [B] | Toronto

September 12, 2022

In 2005, while the military’s “Don’t Ask, Don’t Tell” policy was still in effect, Ellis French (two-time Tony Award nominee… Read More

‘My Policeman’ Review: Michael Grandage’s film adaptation is a mixed bag of conventional storytelling and compelling performances [B-] | Toronto

September 11, 2022

One of TIFF’s most anticipated premieres, My Policeman is a perhaps too by-the-numbers adaptation. What could have been an insightful… Read More

‘The Menu’ review: Mark Mylod perfects his recipe of thrills, obsession, and passion [A] | Toronto

September 11, 2022

Reviewing a film like The Menu is a hilariously ironic task, because with every word I write to this piece,… Read More

‘Godland’ review: Hlynur Pálmason’s latest is an intriguing and evocative look at Danish colonialism [B+] | Toronto

September 11, 2022

Godland is not a film for everyone. Inaccessible at times and undoubtedly not without traces of indulgence, this arthouse film… Read More

‘Emily’ review: Emma Mackey breathes life into Frances O’Connor’s passionate and incredibly fitting biopic of Emily Brontë [A-] | Toronto

September 11, 2022

In her editor’s note to the novel Wuthering Heights, Charlotte Brontë described the book as “moorish, and wild, and knotty… Read More

‘The Kiev Trial’ review: Sergei Loznitsa’s latest dip into the archives explores the banality of Nazi evil in Ukraine [B-] | Venice

September 10, 2022

On Venice’s Lido island, documentarian Sergei Loznitsa was greeted like an exiled novelist, or an ex-political prisoner finally able to… Read More

‘Autobiography’ review: Makbul Mubarak’s debut feature is a harrowing tale of lust for power and deeply rooted corruption [A-] | Toronto

September 10, 2022

Rarely do debut features feel as confident as Makbul Mubarak’s Autobigraphy, an electrifying, bold and heartbreaking film that sends an… Read More

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