From ‘Dune’ to ‘Last Night in Soho,’ Venice 2021 was a film festival to remember

September 12, 2021

The Venice Film Festival was a serene, sun-blessed blast of a festival. Nothing beats getting up at the crack of… Read More

Interview: Jan Matuszyński on his Oscar-shortlisted political thriller ‘Leave No Traces’

September 12, 2021

For one of Poland’s most exciting new filmmakers, Jan Matuszyński has few influences from his native country. In describing political… Read More

TIFF Review: Juho Kuosmanen’s ‘Compartment No. 6’ is a touching film on the essentialness of human connection [Grade: B+]

September 12, 2021

Quietly ruminating on what brings us together as humans, especially our need to connect as we navigate the harshness, and… Read More

TIFF Review: ‘Mothering Sunday’ is a lusty, languid tale of death and creative rebirth [Grade: B-]

September 12, 2021

England, 1924 — World War I has been over for half a decade, but for many, the wounds of the… Read More

2021 Creative Arts Emmy Awards – Night Two, Show One: Condragulations, ‘RuPaul’s Drag Race’ is the winner of this challenge

September 12, 2021

The second Creative Arts Emmy Awards ceremony was held Sunday afternoon and RuPaul's Drag Race was the big winner of… Read More

TIFF Review: Mahamat-Saleh Haroun’s abortion drama ‘Lingui, the Sacred Bonds’ is a celebration of the resilience of Chadian women [Grade: B]

September 12, 2021

An interesting exploration of what it’s like to be a woman in modern-day Chad, Mahamat-Saleh Haroun’s latest and much anticipated… Read More

2021 Creative Arts Emmy Awards Night One: ‘The Queen’s Gambit,’ ‘Pose’ dominate, ‘WandaVision’ falters

September 11, 2021

The first of three Creative Arts Emmy Awards ceremonies were held tonight, announcing winners in 36 categories covering cinematography, hairstyling,… Read More

TIFF Review: Joachim Trier’s ‘The Worst Person in the World’ is a rich character study and one of the year’s best films [Grade: A]

September 11, 2021

In The Worst Person in the World, Joachim Trier delivers one of the year’s most introspective films that works both… Read More

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