At the center of Jenny Slate’s performance in every project, you’ll always find the truth. No matter the messiness of a character’s circumstance or the... Read More
Other
Celine Song begins her lovely sophomore feature, Materialists, with a bit of a surprising artistic gamble. We’re surrounded by mountains in nature, and it’s oh... Read More
Maybe Happy Ending, an earnest tale about two robots in love, was the big winner at the 78th Tony Awards tonight, taking home six, including... Read More
The Set Decorators Society of America has released the nominations recognizing the Outstanding Achievements in the 2024-2025 Television Season for projects released between June 1,... Read More
Mia Sara may forever be known to a generation of film lovers as Sloane Peterson from Ferris Bueller’s Day Off (1986), but in Mike Flanagan’s... Read More
Annalise Basso, best known for her roles in dystopian dramas like TNT’s Snowpiercer and horror favorites such as Ouija: Origin of Evil, takes a welcome... Read More
Kate Siegel is no stranger to the world of Mike Flanagan. A frequent collaborator and his real-life wife, Siegel has starred in several of Flanagan’s... Read More
Director Watch Podcast Ep. 102 – ‘King Kong’ (Peter Jackson, 2005) with Special Guest Sean Fennessey
Director Watch Podcast Ep. 102 – ‘King Kong’ (Peter Jackson, 2005) with Special Guest Sean Fennessey
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
If the title From the World of John Wick: Ballerina didn’t clue you into what cinematic universe the film in question is set in (for... Read More
“My grandfather once said that happiness isn’t a story.” In the traditional folk song “Silver Dagger,” the lyrics go “All men are false, says my... Read More

‘The Traitors’ Leads 8th Annual Critics Choice Real TV Awards Nominations
Director Watch Podcast Ep. 152 – ‘Following’ (Christopher Nolan, 1998)
Ben Schnetzer on Starring in ‘The Madison’ and Working with Michelle Pfeiffer [VIDEO INTERVIEW]
‘The Devil Wears Prada 2’ Review: The Long-Awaited Sequel Proves That Fashion is Always in Vogue [B+]
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Announces Opening Night, Centerpiece, and Pride Kickoff Films
‘Death by Lightning,’ ‘Big Mistakes,’ Rachel Sennott Lead 2026 Gotham Television Awards Nominations
On the Shelf: ‘Highest 2 Lowest,’ ‘John Singleton’s Hood Trilogy,’ a Nancy Meyers Double Feature and Action-Packed Spectacles Highlight the Physical Media releases for the Week of April 27
Director Watch Podcast Ep. 151 – ‘The Annihilation of Fish’ (Burnett, 1999)
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Announces Opening Night, Centerpiece, and Pride Kickoff Films
‘Death by Lightning,’ ‘Big Mistakes,’ Rachel Sennott Lead 2026 Gotham Television Awards Nominations
Interview: Jenny Slate Gets Real About ‘Dying for Sex’
‘Materialists’ Review: Love is Worth the Investment in Celine Song’s Refreshingly Modern Romance [B+]
2025 Tony Awards: Musical ‘Maybe Happy Ending’ Leads Wins with 6; Cole Escola, Nicole Scherzinger Take Top Acting Prizes
2024-2025 SDSA Television Awards: ‘The White Lotus,’ ‘The Four Seasons,’ ‘Mid-Century Modern’ Among Nominees
Interview: Mia Sara Returns to the Screen in Mike Flanagan’s ‘The Life of Chuck’ [VIDEO]
Interview: Annalise Basso on Finding Joy—and Dance—in ‘The Life of Chuck’ [VIDEO]
Interview: Kate Siegel on Legacy, Family, and Finding Light in the ‘The Life of Chuck’ [VIDEO]
‘From the World of John Wick: Ballerina’ Review: Ana de Armas Kicks an Adequate Amount of Ass in Recycled ‘Wick’ Leftovers [B-]
‘The History of Sound’ Review: Paul Mescal and Josh O’Connor’s Tender Romance is a Silver Dagger to the Heart [A-] Cannes
‘The Traitors’ Leads 8th Annual Critics Choice Real TV Awards Nominations
Director Watch Podcast Ep. 152 – ‘Following’ (Christopher Nolan, 1998)
Ben Schnetzer on Starring in ‘The Madison’ and Working with Michelle Pfeiffer [VIDEO INTERVIEW]
‘The Devil Wears Prada 2’ Review: The Long-Awaited Sequel Proves That Fashion is Always in Vogue [B+]