Although it’s not too much of a surprise for the original score of Love & Mercy to miss out here (too much of Brian... Read More
Other
The American Film Institute (AFI) has announced their Top 10 Films of 2015 and it’s a list packed with mega-blockbusters more than any year... Read More
As with many categories, there seems to be four pretty safe bets and Supporting Actress is no different. Rooney Mara (Carol) and Alicia Vikander (The... Read More
The Austin Film Critics Association (AFCA) announced its 2015 awards nominations today. “Carol” received the highest number of nominations—seven—including for Best Picture, Best Director (Todd... Read More
With Room hitting nearly every single critics awards Adapted Screenplay nomination list, the fight for the #1 spot is as close as its ever been.... Read More
The Kansas City Film Critics Circle, the second oldest film critic organization in the country, released their nominees for the 50th Annual James Loutzenhiser... Read More
It’s another day and another critics awards list of nominations. This time it’s Las Vegas who have gone all in on Creed, giving it... Read More
LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences today announced that seven films remain in competition in the Makeup and Hairstyling... Read More
Two intimate relationship dramas and two sci-fi/fantasy epics topped the 36th London Film Critics Circle nominations today; Carol & 45 Years and Mad Max:... Read More
305 films have been deemed eligible to compete for the 2016 Oscars, down from 323 last year. For the full list go here. To be... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
‘The Revenant’ and ‘Love & Mercy’ not among 112 Eligible Original Scores for 2016 Oscar Race
AFI’s Top 10 Films of 2015: Blockbusters Galore but ‘Room’ for ‘Carol’
2016 Oscar Predictions: BEST SUPPORTING ACTRESS
‘CAROL’ Leads AUSTIN FILM CRITICS ASSOCIATION 2015 Awards Nominations
2016 Oscar Predictions: ADAPTED and ORIGINAL SCREENPLAY
Kansas City Critics: Sicario is Top Nommed; The Revenant, Mad Max, Ex Machina Hit
Las Vegas Film Critics Go All In on Creed, Beasts of No Nation; Snub Saoirse Ronan, Carol
7 Advance in Race for Makeup & Hairstyling Oscar incl. Black Mass, The Revenant, Mr. Holmes
305 Films to Compete for 2016 Oscars
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes