This weekend at the Urbanworld Film Festival a select few saw the first clips of highly anticipated film Selma, the first studio film directed by... Read More
Other
The Homesman (Tommy Lee Jones) In Tommy Lee Jones’s second directorial effort he gives us the story of a pioneer woman (Hilary Swank) who is... Read More
Paramount Pictures is amping up its Interstellar promotion with the release of four new posters, each of which cover quite the gamut of earth, space... Read More
After nearly a year of very little to offer in the way of what this movie was going to look or feel like, The Weinstein... Read More
After months and months of nothing more than a few set pics and some productions stills, A24 put all its cards on the table today... Read More
It’s mid-September and the Oscar season is in its first lap with the Venice, Telluride and Toronto film festivals wrapped up but we still don’t... Read More
During a press conference in Riga, European Capital of Culture 2014 where this year’s 27th European Film Awards will take place, the European Film Academy... Read More
It’s Fall TV season time and we have a handful of new shows that we think you’re going to want to watch. From fantastical freakshows,... Read More
The Weinstein Company’s big Oscar push The Imitation Game, from Morten Tyldum and starring Benedict Cumberbatch and Keira Knightley, has won the People Choice at the 2014... Read More
You might notice we’ve been kind of pimping out this movie a lot recently, and we have. The film, starring four-time Academy Award nominee Julianne... Read More

‘Bitter Christmas’ Review: And Just Like That… Cannes Almodóvar Really Have it All? [B+] Cannes
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes
‘Full Phil’ Review: Kristen Stewart is in Peak Form in Quentin Dupieux’s Manic Father-Daughter Comedy [C+] Cannes
‘Club Kid’ Review: Jordan Firstman’s Gay Peter Pan Party Boy Tale Gets Raves Across the Board [A-] Cannes
‘Paper Tiger’ Review: James Gray’s New York State of Mind Needs a Rewrite [C-] Cannes
‘Sheep in a Box’ Review: Koreeda’s Take on the AI-ification of Humanity Feels a Bit Soulless [C] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Full Urbanworld Panel Discussion of Ava DuVernay’s ‘Selma’
37th Mill Valley Film Festival Capsule Reviews: The Homesman and Two Days, One Night
Four NEW ‘Interstellar’ Posters Cover Earth, Space and Sea
TRAILER: Big Eyes finally shows up to the 2015 Oscar race
2015 Oscars: ‘A Most Violent Year’ enters the race with a trailer, release date, poster and category placement for Jessica Chastain
2015 Oscars: Who Will Host the 87th Academy Awards?
2014 European Film Awards: Starred Up, Under the Skin, Nymphomaniac & Frank in the hunt
FALL TV 2014: Kingdom, Selfie, Transparent Lead What’s New to Must-Watch
2014 Toronto International Film Festival Winners: The Imitation Game Takes People’s Choice, Leads Oscar Race
First clip of ‘Still Alice,’ starring Julianne Moore and Kristen Stewart
‘Bitter Christmas’ Review: And Just Like That… Cannes Almodóvar Really Have it All? [B+] Cannes
‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes
‘Garance’ Review: Jeanne Herry’s Underwhelming Alcoholic Actress Vehicle Deters the Turbulently Brilliant Adèle Exarchopoulos [C] Cannes
‘Clarissa’ Review: Sophie Okonedo Gets the Flowers Herself in Modern Day ‘Mrs. Dalloway’ [B+] Cannes