When Burial (aka, William Bevan) released his masterpiece Untrue in 2007, it felt like a watershed moment. The album was universally acclaimed, wound up near the top... Read More
Other
The first teaser for Christopher Nolan’s highly anticipated Interstellar dropped today. Giving us very little in terms of actual footage, the Matthew McConaughey-voiceover trailer details... Read More
A few more critics organizations have cast their vote, so time for round-up two. The first one is the Washington DC Film Critics Association, which... Read More
The Academy of Motion Picture Arts and Sciences unveiled its list of 114 feature film scores that will be competing for the five nominations. When... Read More
Yep, it happens. Almost every year. While most performers can rest comfortably that they’ll get an Oscar nomination once they’ve secured a Screen Actors Guild... Read More
Netflix managed a bit of a coup at the Globes, snagging seven nominations for its On-Demand shows Arrested Development, House of Cards and Orange is... Read More
The Hollywood Foreign Press Association have spoken and they showed love for American Hustle and 12 Years a Slave with seven nominations each while showing... Read More
The Gold Rush Gang have a few things to say about the Golden Globe nominations, especially…what is going on with Supporting Actor?? After today’s Screen... Read More
The Screen Actors Guild television nominations were revealed this morning and saw very little new shows or performers break though. The usual suspects in comedy... Read More
After beginning the pre-awards season as the perceived frontrunner, only to be hobbled by the major critics awards, 12 Years a Slave came roaring back... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Review: Burial- Rival Dealer EP
First Interstellar Teaser Trailer
Critics Societies Roundup 2
114 Eligible for Original Score Oscar
SAG + GG = No Oscar Nom?
Golden Globe Television Nominations: Netflix Reigns, Homeland and Mad Men Shunned
Golden Globe Nominations: American Hustles, HFPA Says N’Oprah
Gold Rush Gang: Golden Globe Nominations Predictions
Screen Actors Guild Television Nominations
Screen Actors Guild Film Nominations: 12 Years a Slave Leads Mentions
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes