From the first notes of slow burning opener “Adore You,” we can hear that it’s happened: Miley Cyrus has been reborn. “Well duh,” you say?... Read More
Other
In late 2009 a new sound was released unto the world in the form of Sleigh Bells, a two person noise pop band from Brooklyn.... Read More
2013 seems to be the year of survival stories. From Gravity to All is Lost and here with Captain Phillips the one man (or woman)... Read More
I’m going to start this review by flat-out admitting that I don’t think Panic! At The Disco will ever be able to top Pretty. Odd. again. A... Read More
Since the Best Picture lineup was expanded to include more than 5 films four years ago, we have seen a couple of different scenarios: in... Read More
Since Alfonso Cuarón’s audacious dystopian sci-fi film, Children of Men, was released in 2006, cinephiles everywhere have been wondering how, and later as the years ticked... Read More
Pop music is built on extremes so it’s only fitting that in the year of Miley Cyrus, of twerking, foam finger excess, hanging naked on... Read More
On Sunday, the Breaking Bad finale aired. I mostly liked it a hell of a lot, though I thought Walt’s revenge gambit was too heavily weighted in... Read More
Over the last ten years, there have been a number of surprising nominations in the Best Supporting Actor category at the Oscars. They have ranged... Read More
In yet another shocking move of the 2013 Oscar film season, Sony Pictures Classics has decided to take Bennett Miller’s Foxcatcher out the running for... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Review: Miley Cyrus – Bangerz
Review: Sleigh Bells – Bitter Rivals
Review: Captain Phillips (Paul Greengrass, 2013)
Review: Panic! At the Disco – Too Weird to Live, Too Rare to Die!
Oscar at 2013’s Box Office
Review: Gravity (Alfonso Cuarón, 2013)
Review: Lorde – Pure Heroine
Breaking Bad and the increasing tyranny of the drama pantheon
Best Supporting Studio: Warner Bros. Pictures’ Track Record in the Best Supporting Actor Category
Another One Bites the Dust…Foxcatcher moved to 2014
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes