The famous Cannes Film Festival is a launching pad for great cinema of the year, a massive international festival held on the glamorous and glitzy... Read More
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Casting Society (CSA) announced today the nominees for the 40th Artios Awards, celebrating the work of casting directors on feature films across comedy, drama, animation,... Read More
On December 5, 2024, film critic Matt Zoller Seitz published a profile feature for Vulture entitled “Moonlight in the Lion’s Den.” It traces filmmaker Barry... Read More
Best Film: Anora 2. The Brutalist3. Conclave4. Dune: Part Two5. Challengers6. Nickel Boys7. Sing Sing8. Wicked9. The Substance10. A Complete Unknown11. I Saw the TV... Read More
The Australian Academy of Cinema and Television Arts (AACTA) has revealed the nominees for the 14th International AACTA Awards. Better Man, the biopic inspired by... Read More
If it wasn’t for Robbie Williams, “there may not be any Greatest Showman,” says director Michael Gracey. The world-famous British pop star who got his... Read More
The Iowa Film Critics Association (IFCA) has selected Anora as the Best Film of 2024, also awarding it Best Director for Sean Baker and Best... Read More
Guy Pearce (The Brutalist) and Yura Borisov (Anora) have begun building their precursor stash and winning some critics’ prizes along the way. Clarence Maclin (Sing... Read More
This is the collective leaders guide critics and festival wins guide for the films and performances of 2024, including the AFI Top 10, top festival... Read More
Today it was announced that Award-winning actress and producer Kristen Bell (Nobody Wants This, The Good Place) will host the 31st Annual Screen Actors Guild... Read More

Directors Guild of America (DGA) Awards: Paul Thomas Anderson Wins for ‘One Battle After Another’
British Society of Cinematographers (BSC): ‘One Battle After Another’ Takes Top Award
Society of Composers and Lyricists (SCL) Winners: ‘KPop Demon Hunters,’ ‘Sinners,’ ‘Train Dreams’ and More
‘Pillion’ Review: Alexander Skarsgård Puts the Dom in Domesticity [A-]
Australian Academy Award Winners (AACTA): ‘One Battle After Another,’ ‘Bring Her Back’ Lead
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
Interview: Margaret Qualley (‘The Substance’) on Unachievable Perfection and Getting Monstro Elisasue’s Earring Just Right
40th Casting Society (CSA) Artios Awards Nominations: ‘Challengers,’ ‘Nickel Boys,’ ‘Thelma’ and More
‘Mufasa: The Lion King’ Review: If Lion Cubs Could Talk [D]
2024 Southeastern Film Critics Association (SFCA) Winners: ‘Anora’ and ‘The Brutalist’
2025 Australian Academy of Cinema and Television Arts (AACTA) International Awards: ‘Better Man,’ ‘The Brutalist,’ ‘Shōgun’ Lead Nominations
Interview: Director Michael Gracey (‘Better Man’) on Taking Big Swings and Turning Robbie Williams Into a Monkey
2024 Iowa Film Critics Association (IFCA) Winners: ‘Anora,’ ‘The Wild Robot,’ Isabella Rossellini
2025 Oscar Predictions: SUPPORTING ACTOR (December)
Who’s Won What? – The 2024/2025 Film Awards Leaders from Critics and Festivals
Kristen Bell to Return as Host for 31st Screen Actors Guild Awards
Directors Guild of America (DGA) Awards: Paul Thomas Anderson Wins for ‘One Battle After Another’
British Society of Cinematographers (BSC): ‘One Battle After Another’ Takes Top Award
Society of Composers and Lyricists (SCL) Winners: ‘KPop Demon Hunters,’ ‘Sinners,’ ‘Train Dreams’ and More
‘Pillion’ Review: Alexander Skarsgård Puts the Dom in Domesticity [A-]