It’s good to every once in a while just revel in a brutal action movie, where everyone knows what they’re here for. Films like The... Read More
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After dramatizing some of our time’s most sensational collisions of news, entertainment and culture stories, it’s not surprising that it would be executive producers Ryan... Read More
The recent success of A Quiet Place: Day One has proven that audiences haven’t yet tired of dystopian survival horror, and based on its marketing,... Read More
Parenthood can be hard, time consuming and daunting – but it can also be selfish. Beyond the desire to have a child that carries your... Read More
The ficus religiosa envelops its tendrils around another tree. That is how this species of figs begins its growth. It proceeds to weave its tendrils... Read More
There are only so many ways to capture an icon on film. In Elton John’s case, there are now two. In 2019’s Rocketman, the superstar’s... Read More
While watching Eden, it’s hard to imagine what you’re seeing on screen actually happened. But perhaps that’s the entire point of the film: the crazier... Read More
On episode 252 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Associate Editor Sophia Ciminello and AwardsWatch contributors Karen Peterson and Josh... Read More
Fresh off a well-deserved Orizzonti Award win for Best Screenplay at the Venice Film Festival, Scandar Copti’s Happy Holidays lands at TIFF and does not... Read More
A car passes along a dark road at night, then stops when a body appears. The driver, dressed like Missy Elliot in the music video... Read More

Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019)
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead
North Texas Film Critics Association (NTFCA) Nominations
Interview: ‘Marty Supreme’ Casting Director Jennifer Venditti on Finding 1950s Faces and the Magic of Collaborating with Josh Safdie
Kansas City Film Critics Circle (KCFCC) Awards: ‘One Battle After Another’ Named Best Film
Utah Film Critics Association (UFCA) Nominations: ‘One Battle After Another,’ ‘Sinners’ Lead
Women Film Critics Circle (WFCC) Winners: ‘Hamnet,’ ‘If I Had Legs I’d Kick You’ Lead
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019)
The Oscars Move to YouTube Beginning in 2029
2026 Oscar Predictions: BEST CASTING (December)
2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS (December)
2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN (December)
2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY (December)
2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM (December)
2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND (December)
2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (December)
2026 Oscar Predictions: SUPPORTING ACTOR (December)
‘The Shadow Strays’ Review: Too Self-Indulgent by Half, Timo Tjahjanto’s Bloodlust Hits Epic Levels | TIFF
‘American Sports Story: Aaron Hernandez’ Review: A Clichéd, Lurid Afterschool Special Despite an Excellent Performance from Josh Rivera
‘Never Let Go’ Review: Halle Berry Wigs Out in Spooky, Effective Supernatural Thriller
‘The Assessment’ Review: Alicia Vikander Gives Parental Guidance in Mother Off with Elizabeth Olsen | TIFF
‘The Seed of the Sacred Fig’ Review: Mohammad Rasoulof’s Scathing Indictment of Iran’s Lack of Justice System | TIFF
‘Elton John: Never Too Late’ Review: The Award-Winning Musician Sings a Final Farewell to His Fans and For Himself | TIFF
‘Eden’ Review: Ron Howard Delivers His Most Exciting Project in Years with Too Wild To Be True Sexy Social Thriller | TIFF
AwardsWatch Podcast Ep. 252: 47th Oscars Retrospective and If We Picked the Nominees and Winners
‘Happy Holidays’ Review: Scandar Copti’s Winning Screenplay Offers an Unflinching Look at the Impossibilities of Integration | TIFF
‘On Becoming a Guinea Fowl’ Review: Rungano Nyoni Blends Fantasy and Reality in Daring Story of Generational Trauma and Relief | TIFF
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead
North Texas Film Critics Association (NTFCA) Nominations
Interview: ‘Marty Supreme’ Casting Director Jennifer Venditti on Finding 1950s Faces and the Magic of Collaborating with Josh Safdie