On the 55th anniversary of the Stonewall rebellion, the 500 members strong GALECA: The Society of LGBTQ Entertainment Critics announced the group’s 2024 Dorian TV Awards... Read More
Other
American actress and three-time Academy Award nominee Sigourney Weaver (Alien, Gorillas in the Mist, Working Girl) will be awarded the Golden Lion for Lifetime Achievement at the 81st Venice International Film Festival (August 28... Read More
With voting for the 2024 Emmy nominations officially closed, it’s time to look at the categories to see which shows could make the biggest impact... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
There is a lyric from the “Candle in the Wind” that came into my memory as the events of Ti West’s MaXXXine were unfolding; “Hollywood... Read More
The A Quiet Place franchise is the poster child for enjoyably competent yet unremarkable studio horror. With the first two films spearheaded by John Krasinski,... Read More
As I mentioned in my Best Actress predictions, the quadruple Cannes Best Actress win for Karla Sofía Gascón, Zoe Saldaña, Selena Gomez and Adriana Paz... Read More
The Academy of Motion Picture Arts and Sciences has invited 487 artists and executives to join their ranks this year, increasing AMPAS membership to 10,910,... Read More
On episode 237 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Karen Peterson to discuss the latest film from Jeff... Read More
I. My Sister/My Daughter When I reflect on the films that truly shaped my taste, it’s impossible not to think of Double Indemnity and Chinatown.... Read More

FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
Interview: Paul Mescal on the Creative Freedom of ‘Hamnet’ and Finding Magic and Love with His Co-Stars
‘Sinners’ Leads Guild of Music Supervisors (GMS) Nominations
Denver Film Critics Society (DFCS) Nominations
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12
FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY
FINAL 2026 Oscar Predictions: BEST CASTING
FINAL 2026 Oscar Predictions: ANIMATED FEATURE
2026 Oscar Predictions: ANIMATED FEATURE (December)
2026 Oscar Predictions: BEST CASTING (December)
‘Interview with the Vampire,’ ‘Shōgun,’ ‘Baby Reindeer’ and ‘Fellow Travelers’ Lead 2024 LGBTQ Critics’ Dorian TV Award Nominations
Sigourney Weaver to Receive Golden Lion for Lifetime Achievement at the 81st Venice International Film Festival
2024 Emmy Predictions in Drama, Comedy, Limited Series including Writing, Directing, Guest Acting
Director Watch Podcast Ep. 52 – ‘Crimson Tide’ (Tony Scott, 1995)
‘MaXXXine’ Review: Ti West Builds a Detailed Playground of Sex and Violence for Mia Goth to Shine but Can’t Quite Seal the Deal
‘A Quiet Place: Day One’ Review: Lupita Nyong’o Dodges Aliens with Her Cat While Looking for Pizza in Competent Yet Unremarkable Prequel
2025 Oscar Predictions: SUPPORTING ACTRESS (June)
Oscars Invite 487 Members to Academy Including Lily Gladstone, Greta Lee, Boots Riley and Cord Jefferson
AwardsWatch Podcast Ep. 237 – Reviewing ‘The Bikeriders’ and Our Top 5 Hangout Movies
Gentlemen Prefer Blondes: The Invention and Deconstruction of the Femme Fatale in ‘Double Indemnity’ (1944) and ‘Chinatown’ (1974) [Retrospective]
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry