Today, the Academy of Motion Pictures Arts and Sciences (AMPAS) announced that producer Quincy Jones and casting director Juliet Taylor. Screenwriter and director Richard Curtis will receive... Read More
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The prospect of a new Pixar film is always an exciting one for audiences and a daunting one for its creators. Before and since moving... Read More
Actress Allison Williams had her first breakout role on the hit HBO series Girls, which spoke to a very specific 20-something millennial experience. Williams played... Read More
Carrie Coon logs onto our Zoom meeting laughing, telling me she isn’t good with this stuff. “It’s a start,” she responds when I tell her... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
RuPaul’s Drag Race is a global phenomenon with the flagship series still running, as well as All Stars seasons, international Vs The World seasons, and... Read More
When Hollywood actors and writers hit the streets last year to strike for better wages and protections, TV and film productions across the industry stopped... Read More
The nominations for the 40th annual Television Critics Association have been revealed, with Netflix’s Baby Reindeer and Ripley and FX’s Shōgun leading the pack with five noms apiece... Read More
The Academy Museum of Motion Pictures today announced details of its annual fundraising gala, to be held on October 19, 2024. The Academy Museum Gala... Read More
In these days of prestige television, it’s difficult to find an actor right now with a more impressive one-two punch than Anthony Boyle. The Irish... Read More

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2027 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (May)
Interview: Eiza González and Poppy Liu On How Fashion Helps Create Their Characters in ‘I Love Boosters’ and Why They’re Driven by Social Justice
2026 BAFTA TV Awards: ‘Adolescence’ Dominates as Owen Cooper Completes Unprecedented Run
Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)