‘Mars is Ours!’: Inside Season 5 of ‘For All Mankind’ as the Next Generation Claims the Red Planet 
Director Watch Podcast Ep. 146 – ‘The Red Shoes’ (Powell and Pressburger, 1948) 
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next? 
BAFTA TV Awards Nominations: ‘Adolescence’ Still Has More Growing Up To Do 
Film Academy Announces 2025-2026 Nicholl Fellowships 
On the Shelf: ‘Killers of the Flower Moon,’ ‘Red Sonja,’ ‘Hail, Caesar!’ in 4K plus ‘The History of Sound’ Arrive on Physical Media releases for the Week of March 23 
Director Watch Podcast Ep. 145 – ‘Black Narcissus’ (Powell and Pressburger, 1947) with Special Guest Dave Giannini 
‘Wishful Thinking,’ ‘Over Your Dead Body’ Among 2026 SXSW Film & TV Festival Juried and Audience Award Winners 
‘Mars is Ours!’: Inside Season 5 of ‘For All Mankind’ as the Next Generation Claims the Red Planet 
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next? 
‘The Royal Hotel’ Review: Julia Garner and Jessica Henwick Find Out the Danger of Simply Being a Woman in Kitty Green’s Outback Thriller | Telluride
On a party boat heading into the harbor of Sydney, Australia, we find Hanna (Julia Garner) and Liv (Jessica Henwick), two American best friends in... Read More
Other
‘Evil Does Not Exist’ Review: Ryûsuke Hamaguchi Delivers with a Simple and Authentic Slow Burner | Venice
Ryûsuke Hamaguchi’s latest has a peculiar backstory. It was originally intended to be paired with singer Ishibashi Eiko’s live performances of her new songs. But... Read More
‘Hit Man’ Review: Richard Linklater’s Latest is a Total Hit…Man | Venice
The subject of hitmen has been a common theme in the Venice lineup this year. Audiences have been treated to the neo-noir thriller from David... Read More
Sam Esmail’s ‘Leave the World Behind’ with Julia Roberts and Mahershala Ali to open 2023 AFI FEST
Today, the American Film Institute (AFI) announced that the World Premiere of Leave the World Behind, written and directed by AFI Conservatory Alum Sam Esmail... Read More
AwardsWatch Podcast #200: 50th Telluride Film Festival Recap
On episode 200 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Sophia Ciminello are joined by... Read More
‘Green Border’ Review: Agnieszka Holland’s Devastating and Incisive Portrait of the Belarus-Poland Refugee Crisis | Venice
“They have been watching us for 10 years. No one did anything,” bitterly remarks Syrian refugee Bashir (Jalal Altawil) when asked by activists to show... Read More
‘Priscilla’ Review: Cailee Spaeny is Pitch-Perfect in Sofia Coppola’s Demythologized Look at the Presleys | Venice
Sofia Coppola is back on the Lido once again for the first time since she presented Somewhere in 2010. One of the most anticipated titles... Read More
‘The Theory of Everything’ Review: Timm Kroeger’s Sophomore Feature is a Pulpy Adventure, as Impressive as it is Baffling | Venice
You can tell that Timm Kroeger was a cinematographer before he was a director. The German filmmaker’s second feature, following 2014’s well-regarded The Council of... Read More
‘Saltburn’ Review: Emerald Fennell Throws a Brilliant Bacchanal of Obsession, Repulsion, and Desire | Telluride
Opening a film with a roar of choral singers and stylized Old English titles thrusts the viewer into a very familiar, traditional English world. But... Read More
‘NYAD’ Review: Annette Bening and Jodie Foster Just Keep Swimming | Telluride
Known for crafting edge-of-your-seat documentaries (Free Solo, The Rescue), Elizabeth Chai Vasarhelyi and Jimmy Chin venture into uncharted territory with their first narrative feature, NYAD.... Read More
Director Watch Podcast Ep. 146 – ‘The Red Shoes’ (Powell and Pressburger, 1948) 
BAFTA TV Awards Nominations: ‘Adolescence’ Still Has More Growing Up To Do