Gerran Howell on Whitaker’s Growth in Season Two of ‘The Pitt,’ Dr. Robby’s Intentions, and His Go-To Karaoke Song [VIDEO INTERVIEW] 
‘Leviticus’ Review: Adrian Chiarella Conjures a Timely and Biblically Scary Gay Horror Story [A-] 
2026 Cannes: Short Film and La Cinef Titles Announced 
2026 Tribeca Festival TV Lineup Announced: Season Two Premieres of ‘Adults,’ ‘X-Men ’97’ and More 
‘Michael’ Review: It’s Bad, It’s Bad (Really, Really Bad) [D] 
‘Half Man’ Review: Richard Gadd’s Brutal Exploration of Malevolence is an Acting Masterclass from Himself and Jamie Bell [A] 
AwardsWatch Podcast Ep. 342: Reviewing ‘Mother Mary’ 
On the Shelf: ‘Send Help,’ ’28 Years Later: The Bone Temple,’ ‘Die My Love,’ “Sleepers,’ and ‘Point Blank’ Highlight the 4K Physical Media releases for the Week of April 20 
2026 Cannes: Short Film and La Cinef Titles Announced 
2026 Tribeca Festival TV Lineup Announced: Season Two Premieres of ‘Adults,’ ‘X-Men ’97’ and More 
‘Fingernails’ Review: Jessie Buckley and Riz Ahmed’s Chemistry is the High Point in Christos Nikou’s Analog Dating Dramedy | Toronto
Christos Nikou opens his newest film with a quote, or a common consensus in the scientific community: that the first signs of heart problems can... Read More
Other
35th NewFest: ‘All of Us Strangers,’ ‘Rustin,’ ‘Monster,’ ‘NYAD’ Among Lineup, Todd Haynes to Receive Queer Visionary Award
NewFest, New York’s leading LGBTQ+ film and media organization and one of the world’s most respected LGBTQ+ film festivals, has announced its full lineup for... Read More
‘Next Goal Wins’ Review: Michael Fassbender is Pitch Perfect in Taika Waititi’s Enjoyable Underdog Sports Story | Toronto
Conventional but still enjoyable, Taika Waititi’s Next Goal Wins presents the real story of the American Samoa football team, who had broken the record for... Read More
‘Lee’ Review: Kate Winslet and Andy Samberg Excel in Ellen Kuras’ Largely Unambitious Debut Feature | Toronto
Making the transition from cinematography to directing, Ellen Kuras delivers a biopic that, while boasting competent technical credits, lacks the ambition, risk-taking and ferocious nature... Read More
‘Pain Hustlers’ Review: David Yates Delivers a Conventionally Accessible Look at Corporate Greed | Toronto
In Pain Hustlers, David Yates embarks on a different kind of project that couldn’t be further away from his recent franchise output (most notably 7... Read More
‘Poolman’ Review: Chris Pine Skims the L.A. Underbelly in Homage to Classic Noir | Toronto
Chris Pine loves noir films. Mostly Chinatown, but really just noir films in general. This much is clear from his directorial debut Poolman, in which... Read More
‘The Teacher’ Review: Farah Nabulsi’s Feature Debut is a Mildly Satisfying, if Narratively Muddled, Take on Repressed Anger | Toronto
Palestinian British filmmaker Farah Nabulsi’s previous short film, The Present, catapulted her to worldwide acclaim with its heartfelt story about parental love and sacrifice. Now... Read More
‘The Boy and the Heron’ Review: A Stirring Tale of Grief and Spiritual Growth from Master Storyteller Hayao Miyazaki | Toronto
The hardest thing to do in your life is say goodbye to the people you love. It is something that you rarely think about when... Read More
‘One Life’ Review: James Hawes’ Holocaust Savior Story is Heroism Simply Told and That’s the Point | Toronto
There is no shortage of stories to be told about the Holocaust. Every person who was alive in Europe at that time has a story... Read More
‘Les Indésirables’ Review: Ladj Ly’s Look at the Clash Between Power and Marginalized Groups in Modern Day Paris Disappoints | Toronto
Five years ago, French filmmaker Ladj Ly made quite the splash with his debut feature Les Misérables, a harrowing, gut-wrenching story of how powerless, marginalized... Read More
Gerran Howell on Whitaker’s Growth in Season Two of ‘The Pitt,’ Dr. Robby’s Intentions, and His Go-To Karaoke Song [VIDEO INTERVIEW] 
‘Leviticus’ Review: Adrian Chiarella Conjures a Timely and Biblically Scary Gay Horror Story [A-]