“Is this real?” The connections to our past can be tenuous, where we lose grasp of even simple memories or they can tether us to... Read More
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Montclair Film, New Jersey’s leading film non-profit, has announced that The Montclair Film Festival will present its 2023 Filmmaker Tribute to Martin Scorsese with Stephen... Read More
On a party boat heading into the harbor of Sydney, Australia, we find Hanna (Julia Garner) and Liv (Jessica Henwick), two American best friends in... Read More
Ryûsuke Hamaguchi’s latest has a peculiar backstory. It was originally intended to be paired with singer Ishibashi Eiko’s live performances of her new songs. But... Read More
The subject of hitmen has been a common theme in the Venice lineup this year. Audiences have been treated to the neo-noir thriller from David... Read More
Today, the American Film Institute (AFI) announced that the World Premiere of Leave the World Behind, written and directed by AFI Conservatory Alum Sam Esmail... Read More
On episode 200 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Sophia Ciminello are joined by... Read More
“They have been watching us for 10 years. No one did anything,” bitterly remarks Syrian refugee Bashir (Jalal Altawil) when asked by activists to show... Read More
Sofia Coppola is back on the Lido once again for the first time since she presented Somewhere in 2010. One of the most anticipated titles... Read More
You can tell that Timm Kroeger was a cinematographer before he was a director. The German filmmaker’s second feature, following 2014’s well-regarded The Council of... Read More

Gerran Howell on Whitaker’s Growth in Season Two of ‘The Pitt,’ Dr. Robby’s Intentions, and His Go-To Karaoke Song [VIDEO INTERVIEW]
‘Leviticus’ Review: Adrian Chiarella Conjures a Timely and Biblically Scary Gay Horror Story [A-]
2026 Cannes: Short Film and La Cinef Titles Announced
2026 Tribeca Festival TV Lineup Announced: Season Two Premieres of ‘Adults,’ ‘X-Men ’97’ and More
‘Michael’ Review: It’s Bad, It’s Bad (Really, Really Bad) [D]
‘Half Man’ Review: Richard Gadd’s Brutal Exploration of Malevolence is an Acting Masterclass from Himself and Jamie Bell [A]
AwardsWatch Podcast Ep. 342: Reviewing ‘Mother Mary’
On the Shelf: ‘Send Help,’ ’28 Years Later: The Bone Temple,’ ‘Die My Love,’ “Sleepers,’ and ‘Point Blank’ Highlight the 4K Physical Media releases for the Week of April 20
2026 Cannes: Short Film and La Cinef Titles Announced
2026 Tribeca Festival TV Lineup Announced: Season Two Premieres of ‘Adults,’ ‘X-Men ’97’ and More
‘All of Us Strangers’ Review: Andrew Haigh Devastates with a Masterful Story of Love and Loss in One of the Year’s Best Films | Telluride
Montclair Film Festival Announces 2023 Filmmaker Tribute To Martin Scorsese
‘The Royal Hotel’ Review: Julia Garner and Jessica Henwick Find Out the Danger of Simply Being a Woman in Kitty Green’s Outback Thriller | Telluride
‘Evil Does Not Exist’ Review: Ryûsuke Hamaguchi Delivers with a Simple and Authentic Slow Burner | Venice
‘Hit Man’ Review: Richard Linklater’s Latest is a Total Hit…Man | Venice
Sam Esmail’s ‘Leave the World Behind’ with Julia Roberts and Mahershala Ali to open 2023 AFI FEST
AwardsWatch Podcast #200: 50th Telluride Film Festival Recap
‘Green Border’ Review: Agnieszka Holland’s Devastating and Incisive Portrait of the Belarus-Poland Refugee Crisis | Venice
‘Priscilla’ Review: Cailee Spaeny is Pitch-Perfect in Sofia Coppola’s Demythologized Look at the Presleys | Venice
‘The Theory of Everything’ Review: Timm Kroeger’s Sophomore Feature is a Pulpy Adventure, as Impressive as it is Baffling | Venice
Gerran Howell on Whitaker’s Growth in Season Two of ‘The Pitt,’ Dr. Robby’s Intentions, and His Go-To Karaoke Song [VIDEO INTERVIEW]
‘Leviticus’ Review: Adrian Chiarella Conjures a Timely and Biblically Scary Gay Horror Story [A-]