In her impressive directorial debut Woman of the Hour, actress-turned-director Anna Kendrick builds on a horrifying true crime case to deliver an unflinching look at... Read More
Other
One of the smartest, most satisfying films at the Toronto International Film Festival this year, Ilker Çatak’s The Teachers’ Lounge uses a German school as... Read More
Egyptian-Austrian filmmaker Abu Bakr Shawky made quite the splash in 2018 with his debut feature film Yomeddine which became the first ever Egyptian debut film... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
HamptonsFilm announced today the full slate of programming for the 2023 edition of the Hamptons International Festival (HIFF), including the Closing Night presentation of Bradley... Read More
The job of a critic is to provide recommendations for the general public based on a presumed strong understanding of art forms. In the present... Read More
The absence of a parent in childhood or adulthood can be just as powerful and impactful as the presence of one. Losing multiple parents can... Read More
Religious missionaries don’t have the best track record when it comes to encountering new communities that aren’t necessarily interested in getting to know their faith.... Read More
A hitman with dementia trying to carry out one last job is the kind of premise that could easily go off the rails and devolve... Read More
On his way to another showing of a property he is trying to sell, Will Grady (Justin Timberlake) gets an alert on his phone from... Read More

2027 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (May)
Interview: Eiza González and Poppy Liu On How Fashion Helps Create Their Characters in ‘I Love Boosters’ and Why They’re Driven by Social Justice
2026 BAFTA TV Awards: ‘Adolescence’ Dominates as Owen Cooper Completes Unprecedented Run
Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)
2026 San Francisco International Film Festival Reviews: ‘The World of Love,’ ‘A Sad and Beautiful World,’ ‘Nuisance Bear,’ ‘One in a Million’ (SFFILM)
2027 Oscar Predictions: SUPPORTING ACTOR (May)
Interview: Boots Riley on Collecting an Eclectic Cast and How ‘I Love Boosters’ is Like Richard Scarry’s ‘Busy, Busy Town’
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
Jessie Buckley and Paul Mescal to Reunite for ‘Hold On To Your Angels’ from Benh Zeitlin
2027 Golden Globes Reveal Key Dates, Adds AI Rules, Expands Podcast Pool
‘Woman of the Hour’ Review: Anna Kendrick’s Directorial Debut Intelligently Examines the Convergence of Toxic Masculinity and Gender Prejudice | Toronto
‘The Teachers’ Lounge’ Review: Ilker Çatak’s Oscar Entry from Germany is a Brilliant and Powerful Reflection on Flawed Democracies | Toronto
‘Hajjan’ Review: Abu Bakr Shawky’s Follow-Up to ‘Yomeddine’ a Mostly Enjoyable Crowd Pleaser That Rings a Bit Hollow | Toronto
Director Watch Podcast Ep. 10 – ‘Sicario’ (Villeneuve, 2015)
31st Hamptons International Film Festival Announces Full Lineup including Closing Night Film ‘Maestro’
‘The Critic’ Review: Ian McKellen and Gemma Arterton Astound in a Period Portrait of a Cheeky Connoisseur | Toronto
‘North Star’ Review: Kristin Scott Thomas Gets Personal as She Tackles Family Dynamics and Loss in Directorial Debut Inspired by Her Own Life | Toronto
‘The Convert’ Review: A Compelling Historical Look at 19th Century British Colonialism of the Māori | Toronto
‘Knox Goes Away’ Review: Michael Keaton’s Dementia-Stricken Hitman Anchors a Focused Character Study | Toronto
‘Reptile’ Review: A Benicio del Toro and Alicia Silverstone Reunion Can’t Save Convoluted Crime Drama | Toronto
2027 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (May)
Interview: Eiza González and Poppy Liu On How Fashion Helps Create Their Characters in ‘I Love Boosters’ and Why They’re Driven by Social Justice
2026 BAFTA TV Awards: ‘Adolescence’ Dominates as Owen Cooper Completes Unprecedented Run
Director Watch Podcast Ep. 153: ‘Memento’ (Christopher Nolan, 2001)