In 2015, Todd Haynes came to Cannes to premiere Carol that received rave reviews and an instant cult classic treatment. He came back to the... Read More
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The biggest event of Cannes this year is the return of Martin Scorsese, 38 years after After Hours. The expectations for Killers of the Flower... Read More
The Safdie Brothers’ Good Time cinematographer Sean Price Williams returns to the Cannes Film Festival after last year’s Funny Pages premiere but this time as... Read More
Exactly ten years after the singular sci-fi achievement that was Under the Skin, writer-director Jonathan Glazer is back in Cannes’ Main Competition with a new,... Read More
Australian director Warwick Thornton lets you know from the beginning that the Aboriginal boy (a mesmerizing Aswan Reid), who arrives at a remote monastery, is... Read More
Much like her character Daisy Jones, Riley Keough is not the muse; she’s the somebody. The Amazon television series Daisy Jones and the Six transported... Read More
Taking the reins from Steven Spielberg is no easy feat, but James Mangold proves that he’s up for the task with this adventurous fifth and... Read More
Steve McQueen is back with his first film since Small Axe, part of his extremely ambitious 5-film anthology series. His documentary feature debut Occupied City,... Read More
Has there ever been a franchise more critic-proof than The Fast and the Furious? What started as the story of undercover LAPD officer Brian O’Conner... Read More
Documentary short and narrative short filmmaker Christopher Manning (Jamie, Isha, Nowhere) will make his feature directorial debut with James Ivory: In Search of Love and Beauty,... Read More

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‘May December’ review: Natalie Portman and Julianne Moore make a meal out of Todd Haynes’ delicious story of infamy and obsession | Cannes
‘Killers of the Flower Moon’ review: Martin Scorsese’s true American crime story of greed, murder and love may be his most empathetic | Cannes
‘The Sweet East’ review: Talia Ryder is exceptional in this satirically nihilistic look at American anarchy | Cannes
‘The Zone of Interest’ review: Jonathan Glazer’s Auschwitz-set drama is monumental in its representation of the seen and unseen horror of the Holocaust | Cannes
‘The New Boy’ review: Cate Blanchett and Aswan Reid stun in Warwick Thornton’s spiritually dense Aboriginal fable | Cannes
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‘Indiana Jones and the Dial of Destiny’ review: Harrison Ford says farewell in this nostalgic, thrilling final chapter | Cannes
‘Occupied City’ review: Steve McQueen’s documentary feature debut is an ambitious, if overlong, account of occupied Amsterdam | Cannes
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‘Leviticus’ Review: Adrian Chiarella Conjures a Timely and Biblically Scary Gay Horror Story [A-]