AwardsWatch

‘Aftersun’ review: Paul Mescal and Frankie Corio are mesmerizing as a father and daughter in limbo in Charlotte Wells’s extraordinary debut

Film Reviews

‘Aftersun’ review: Paul Mescal and Frankie Corio are mesmerizing as a father and daughter in limbo in Charlotte Wells’s extraordinary debut

Jacob Throneberry October 18, 2022

In the opening minutes of Aftersun, a camcorder goes back through footage, stopping on a young girl asking her father, in the middle of showing... Read More

‘Mama’s Boy’ review: Dustin Lance Black doc just barely balances line between being uplifting and a stilted vanity project | NewFest

Daniel Bayer October 17, 2022

In 2009, at the age of 34, Dustin Lance Black won an Oscar for his screenplay for the Harvey Milk biopic Milk. In his acceptance... Read More

2023 Oscar Predictions: VISUAL EFFECTS (October)

Erik Anderson October 17, 2022

On December 21, the Academy will reveal the shortlist of 10 contenders who will be eligible to compete for a nomination for Visual Effects. Last... Read More

‘Lady Chatterly’s Lover’ review: Little to love beyond Emma Corrin and Jack O’Connell’s performances in Laure de Clermont-Tonnerre’s listless adaptation | LFF

Paddy Mulholland October 17, 2022

A spirit of thoughtless anachronism looms over Laure de Clermont-Tonnerre’s Lady Chatterley’s Lover, Netflix’s crude and cynical attempt at seeing if some of the steam... Read More

‘Fire of Love,’ ‘Good Night Oppy’ lead Critics’ Choice Documentary Awards nominations

Erik Anderson October 17, 2022

Critics’ Choice has announced the nominees for their annual Documentary Awards Sara Dosa’s fated love story Fire of Love led the field with seven nominations... Read More

‘Inland’ review: Mark Rylance enchants in this realistic yet enigmatic folklore-influenced directorial debut from Fridtjof Ryder | LFF

Ben Rolph October 16, 2022

English writer-director Fridtjof Ryder’s directorial debut is a taut, well-made micro budget feature. After a successful crowdfunding campaign and production moving ahead, Ryder’s film caught... Read More

‘No Bears’ review: Jafar Panahi turns the camera on himself in powerful, subtly playful examination of limits personal, political and artistic | LFF

Paddy Mulholland October 16, 2022

The remarkable prolificacy of Iranian filmmaker Jafar Panahi, and the even-more-remarkable spirit of subversiveness that has only burgeoned in his work since his arrest and... Read More

Interview: ‘Everything Everywhere All at Once’ breakout star Stephanie Hsu on the joy of Joy, working with Michelle Yeoh and if she’s sick of bagels yet

Interviews (Film)

Interview: ‘Everything Everywhere All at Once’ breakout star Stephanie Hsu on the joy of Joy, working with Michelle Yeoh and if she’s sick of bagels yet

Ryan McQuade October 16, 2022

Earlier this year, at the 2022 SXSW Film Festival, the world premiere of the Daniel’s Everything Everywhere All at Once blew audiences away, going on... Read More

‘Personality Crisis: One Night Only’ review: Martin Scorsese music doc looks at the absurd and the sublime of elusive, forever cool New York Dolls frontman David Johansen | NYFF

Sophia Ciminello October 16, 2022

Martin Scorsese has a knack for documenting New York institutions and illustrating the inner lives of the city’s singular characters. From the brash young Mafiosi... Read More

‘Close,’ ‘Pray for Our Sinners’ win top awards at 30th Hamptons International Film Festival

Erik Anderson October 15, 2022

The 30th anniversary edition of the Hamptons International Film Festival, presented by HamptonsFilm, today announced their award winners for this year’s feature and short film... Read More

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