One of the most anticipated feature debuts at this year’s Toronto International Film Festival, Basil Khalil’s A Gaza Weekend is the filmmaker’s follow-up to his... Read More
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On episode 153 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman, Dan Bayer,... Read More
Brendan Fraser in The Whale was the Best Actor frontrunner before the film even debuted at Venice but now, post-TIFF and the responses to his... Read More
Half-brothers Raymond (Ewan McGregor) and Ray (Ethan Hawke) have one thing in common: They hate their father. The no-good son of a bitch made life... Read More
In his most personal film to date, one that will certainly delight cinephiles as well as mainstream audiences who love his work, Steven Spielberg’s The... Read More
Steven Spielberg’s The Fabelmans, the personal tale of his growing up years and his inspirations as a young filmmaker, has won the 2022 TIFF People’s... Read More
Japan’s official submission for this year’s Academy Awards in the International Feature Film category, Chie Hayakawa’s Plan 75 is an emotionally dense, harrowing look at... Read More
Despite running at a brisk 67 minutes, Joao Pedro Rodrigues’ Will-o’-the-Wisp has a near-epic feel with its grand thematic scope. Within its short run time,... Read More
There are films that linger with you after the lights go back on. You keep thinking about them, their characters never leaving your thoughts, as... Read More
Certainly one of the year’s standout films, Jerzy Skolimowski’s EO is almost silent but says quite a lot about humanity, or lack thereof, showing us... Read More

FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online
Director Watch Ep. 142 ‘The Life and Death of Colonel Blimp’ (Powell and Pressburger, 1943) with Special Guest Bilge Ebiri
‘Rooster’ Review: New Series from ‘Ted Lasso’ Creator Gives Steve Carell Something to Crow About [B-]
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
29th Sonoma International Film Festival (SIFF): ‘Poetic License,’ ‘I Swear,’ Conversations with Julian Schnabel, Barry Jenkins and Lulu Wang
FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: SUPPORTING ACTOR
FINAL 2026 Oscar Predictions: ANIMATED SHORT, DOCUMENTARY SHORT, LIVE ACTION SHORT
FINAL 2026 Oscar Predictions: BEST ACTRESS
FINAL 2026 Oscar Predictions: ORIGINAL SCORE and ORIGINAL SONG
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING
FINAL 2026 Oscar Predictions: PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: COSTUME DESIGN
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
‘A Gaza Weekend’ review: Basil Khalil’s feature debut is an underwhelming, uneven comedy of finding human compassion in the direst of circumstances [C-] | Toronto
The AwardsWatch Podcast #153: TIFF 2022 Wrap Up
2023 Oscar Predictions: BEST ACTOR (September)
‘Raymond & Ray’ review: Ethan Hawke and Ewan McGregor lead a game cast who thread the needle of tragedy and comedy beautifully in Rodrigo García’s best film to date [B] | Toronto
‘The Fabelmans’ review: Steven Spielberg’s most personal film celebrates the art and struggles of telling stories through film [B+] | Toronto
TIFF 2022: Steven Spielberg’s ‘The Fabelmans’ wins TIFF People’s Choice Award, locks in Oscar prospects
‘Plan 75’ review: Chie Hayakawa’s feature debut is a heartbreaking look at isolation and displacement [B+] | Toronto
‘Will-o’-the-Wisp’ review: A sensory queer musical with grand thematic scope [B+] | Toronto
‘Saint Omer’ review: Alice Diop’s feature debut is a radical, unsettling, and fascinating look at motherhood [A-] | Toronto
‘EO’ review: Jerzy Skolimowski’s film is a poetic, contemplative and heartbreaking account of human cruelty [A-] | Toronto
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online