2026 Sonoma International Film Festival (SIFF): Steven Soderbergh’s ‘The Christophers,’ ‘Maspalomas’ Take Top Awards 
‘Mars is Ours!’: Inside Season 5 of ‘For All Mankind’ as the Next Generation Claims the Red Planet 
Director Watch Podcast Ep. 146 – ‘The Red Shoes’ (Powell and Pressburger, 1948) 
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next? 
BAFTA TV Awards Nominations: ‘Adolescence’ Still Has More Growing Up To Do 
Film Academy Announces 2025-2026 Nicholl Fellowships 
On the Shelf: ‘Killers of the Flower Moon,’ ‘Red Sonja,’ ‘Hail, Caesar!’ in 4K plus ‘The History of Sound’ Arrive on Physical Media releases for the Week of March 23 
Director Watch Podcast Ep. 145 – ‘Black Narcissus’ (Powell and Pressburger, 1947) with Special Guest Dave Giannini 
‘Mars is Ours!’: Inside Season 5 of ‘For All Mankind’ as the Next Generation Claims the Red Planet 
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next? 
The AwardsWatch Podcast #153: TIFF 2022 Wrap Up
On episode 153 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman, Dan Bayer,... Read More
Other
2023 Oscar Predictions: BEST ACTOR (September)
Brendan Fraser in The Whale was the Best Actor frontrunner before the film even debuted at Venice but now, post-TIFF and the responses to his... Read More
‘Raymond & Ray’ review: Ethan Hawke and Ewan McGregor lead a game cast who thread the needle of tragedy and comedy beautifully in Rodrigo García’s best film to date [B] | Toronto
Half-brothers Raymond (Ewan McGregor) and Ray (Ethan Hawke) have one thing in common: They hate their father. The no-good son of a bitch made life... Read More
‘The Fabelmans’ review: Steven Spielberg’s most personal film celebrates the art and struggles of telling stories through film [B+] | Toronto
In his most personal film to date, one that will certainly delight cinephiles as well as mainstream audiences who love his work, Steven Spielberg’s The... Read More
TIFF 2022: Steven Spielberg’s ‘The Fabelmans’ wins TIFF People’s Choice Award, locks in Oscar prospects
Steven Spielberg’s The Fabelmans, the personal tale of his growing up years and his inspirations as a young filmmaker, has won the 2022 TIFF People’s... Read More
‘Plan 75’ review: Chie Hayakawa’s feature debut is a heartbreaking look at isolation and displacement [B+] | Toronto
Japan’s official submission for this year’s Academy Awards in the International Feature Film category, Chie Hayakawa’s Plan 75 is an emotionally dense, harrowing look at... Read More
‘Will-o’-the-Wisp’ review: A sensory queer musical with grand thematic scope [B+] | Toronto
Despite running at a brisk 67 minutes, Joao Pedro Rodrigues’ Will-o’-the-Wisp has a near-epic feel with its grand thematic scope. Within its short run time,... Read More
‘Saint Omer’ review: Alice Diop’s feature debut is a radical, unsettling, and fascinating look at motherhood [A-] | Toronto
There are films that linger with you after the lights go back on. You keep thinking about them, their characters never leaving your thoughts, as... Read More
‘EO’ review: Jerzy Skolimowski’s film is a poetic, contemplative and heartbreaking account of human cruelty [A-] | Toronto
Certainly one of the year’s standout films, Jerzy Skolimowski’s EO is almost silent but says quite a lot about humanity, or lack thereof, showing us... Read More
‘Sanctuary’ review: Christopher Abbott and Margaret Qualley sizzle in a twisty, sexy romance that slaps [B+] | Toronto
BDSM has gotten a bad rap on film. Often presented as something indicative of a broken psyche or deviant behavior, the closest we’ve gotten to... Read More
2026 Sonoma International Film Festival (SIFF): Steven Soderbergh’s ‘The Christophers,’ ‘Maspalomas’ Take Top Awards 
Director Watch Podcast Ep. 146 – ‘The Red Shoes’ (Powell and Pressburger, 1948)