It’s hard to find a politician these days who hasn’t been embroiled in an affair or other problematic development that puts their ability to do... Read More
Other
Trish (Margaret Qualley) is a journalist whose press card is being revoked and her stay in Nicaragua compromised, and her way of making ends meet... Read More
Fire Island is a bright celebration of what friendship stands for: sharing laughs and creating fond memories with your best Judys through thick and thin.... Read More
A fiercely conventional biopic with all the musical analysis of a Spotify playlist, Baz Luhrmann’s Elvis is, more often than not, an affront to cinema.... Read More
Cannes favourite Hirokazu Kore-eda, who won the 2018 Palme d’Or for Shoplifters, has returned to the Cote d’Azur-set film festival with another winner, titled Broker.... Read More
Bo Burnham: Inside is premised upon both a literal and artistic isolation; a one-man special created in a backyard shed, written, directed, edited, and filmed... Read More
Before 2022, O-T Fagbenle was most well-known in the United States for his portrayal of Luke on The Handmaid’s Tale, a role that earned him... Read More
Born and raised in Cornwall, England, writer-director Mark Jenkin continues to draw on his local, beloved surroundings with his sophomore film, Enys Men, which premiered... Read More
Sony Pictures Classics announced today they have acquired all rights in all media in North America, Latin America, Scandinavia, Middle East, Israel, India, Italy, and... Read More
Polish filmmaker Agnieszka Smoczyńska returns to Cannes four years after her Fugue premiered in Semaine de la Critique (aka Critics Week), bringing the flair from... Read More

‘Mouse’ Review: Sophie Okonedo and Katherine Mallen Kupferer Shine in Tender Portrait of Grief and Growing Up [B+] Berlinale
UK Casting Directors’ Guild Awards: ‘Hamnet,’ ‘Adolescence’ Take Top Wins
Director Watch Podcast Ep. 139 – ‘Les Rendez-vous d’Anna’ (Chantal Akerman, 1978)
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Costume Designers Guild (CGD) Winners: ‘Frankenstein,’ ‘One Battle After Another,’ ‘Andor’ and More
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Cinema Audio Society (CAS) Unveils Recipients for Inaugural Jeffrey S. Wexler Award for Advancement in Sound Technology
41st Spirit Awards Winner Predictions: In One of the Least Oscary Years in a Decade, it’s Anyone’s Game
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Interview: How Rupert Friend put a mirror up to real life controversy in ‘Anatomy of a Scandal’ [VIDEO]
Cannes Review: Margaret Qualley and Joe Alwyn set their love ablaze in Claire Denis’ steamy Nicaragua-set romance ‘Stars at Noon’ [Grade: A]
‘Fire Island’ review: Escape to a Never-Never Land full of tea and sympathy in the year’s funniest and sexiest queer rom-com [Grade: A-]
Cannes Review: ‘Elvis’ is a terrible yet wildly entertaining biopic featuring a brilliant titular performance by Austin Butler [Grade: C+]
Cannes Review: Hirokazu Kore-eda’s ‘Broker’ is a tender story of chosen families led by a beguiling performance from Lee Ji-eun [Grade: A+]
One year later, ‘Bo Burnham: Inside’ remains a perfect pandemic time capsule [Retrospective]
Interview: O-T Fagbenle on playing the bad guy in ‘WeCrashed’ and the President in ‘The First Lady’ [VIDEO]
Cannes Review: Mark Jenkin’s Cornish thriller ‘Enys Men’ is an unnerving, off-beat experimental horror unlike any other [Grade: B+]
Sony Pictures Classics acquires ‘The Triplets of Belleville’ director Sylvain Chomet’s animated ‘The Magnificent Life of Marcel Pagnol’
Cannes Review: Agnieszka Smoczyńska’s English-language debut ‘The Silent Twins’ is a bewitching ode to female kinship [Grade: A+]
‘Mouse’ Review: Sophie Okonedo and Katherine Mallen Kupferer Shine in Tender Portrait of Grief and Growing Up [B+] Berlinale
UK Casting Directors’ Guild Awards: ‘Hamnet,’ ‘Adolescence’ Take Top Wins
Director Watch Podcast Ep. 139 – ‘Les Rendez-vous d’Anna’ (Chantal Akerman, 1978)