AwardsWatch

Cannes Review: ‘Corsage’ doesn’t reinvent the genre but Vicky Krieps leads Marie Kreutzer’s Austrian period drama with fragility and forte [Grade: B+]

Savina Petkova May 23, 2022

For her fifth feature, Austrian filmmaker Marie Kreutzer turns to the history books, and more specifically, to a female figure of the 19th century whose... Read More

Cannes Review: Ali Abbasi returns to Cannes with the terrifying Persian noir ‘Holy Spider’ [Grade: B+]

Savina Petkova May 23, 2022

Four years after Border won the top prize in Cannes’ Un Certain Regard strand, Iranian-born filmmaker Ali Abbasi sparked a lively debate with his new... Read More

2022 Emmy Predictions: Supporting Actor in a Comedy Series

Tyler Doster May 23, 2022

When there are as many shows coming on as there are now, Emmy competition is going to be stiff. Every acting category is a race... Read More

The AwardsWatch Podcast #134: New music, the Best Actor Oscar race, Emmy talk, Twitter’s worst film discourses and more

Ryan McQuade May 23, 2022

On episode 134 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-in-Chief Erik Anderson, as well as AwardsWatch contributors Nicole Ackman, Sophia... Read More

‘Stranger Things’ season four review (Volume 1): Elaborate monsters, nostalgia and transformation highlight the scariest installment yet [Grade: A]

TV Reviews

‘Stranger Things’ season four review (Volume 1): Elaborate monsters, nostalgia and transformation highlight the scariest installment yet [Grade: A]

Zofia Wijaszka May 23, 2022

Stranger Things’ aptitude lies in many elements; a continuously nostalgic storyline, soundtracks full of bangers, and an enigmatic cast, among others. It seems we’ve waited forever... Read More

Cannes Review: In Ruben Östlund’s zany ‘Triangle of Sadness,’ yachts rock (and roll) as the allure of luxury exposes the underbelly of a classless utopia [Grade: A]

Savina Petkova May 22, 2022

A big part of what makes a good satire vital, is the pledge of taking things seriously. Swedish director Ruben Östlund certainly lives by this... Read More

Cannes Review: Kirill Serebrennikov’s ‘Tchaikovsky’s Wife’ portrays a woman of quiet anonymity and obsession [Grade: B]

Ben Rolph May 22, 2022

Many films have been made about famed 19th century composer Pyotr Ilyich Tchaikovsky, but little has been documented and told about his wife, Antonina Miliukova.... Read More

Cannes Review: Absences haunt Mia Hansen-Løve’s raw, but deeply humanistic ‘One Fine Morning’ [Grade: A]

Savina Petkova May 21, 2022

Halfway through Mia Hansen-Løve’s eighth feature, one character pokes at another referring to life and its “complex things you wouldn’t understand.” One way or another,... Read More

Cannes Review: ‘Armageddon Time’ is a world-class coming-of-ager powered by a raft of terrific performances [Grade: A-]

Adam Solomons May 21, 2022

One of America’s most talented filmmakers for the best part of two decades, James Gray (Ad Astra, The Lost City of Z) may, with the... Read More

Hollywood Critics Association sets 2nd HCA TV Awards as two-night event in August

Erik Anderson May 20, 2022

The Hollywood Critics Association has just announced that their 2nd Annual HCA TV Awards will be a two-night event taking place on Saturday, August 13,... Read More

2026 Oscar Predictions

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