Of the critics groups who have screenplay winners, the overwhelming favorite in adapted is The Power of the Dog, Jane Campion’s adaptation of the 1967... Read More
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We won’t have guild nominations for film editing (ACE) and cinematography (ASC) until next month but there are a few critics groups who expand outside... Read More
Jane Campion’s The Power of the Dog and Maggie Gyllenhaal’s The Lost Daughter led the London Film Critics Circle nominations announced today with nine and... Read More
What does a deserved Survivor winner mean in this new era? This was the question on my mind while watching the Survivor 41 finale, especially... Read More
The Chicago Film Critics Association has selected The Power of the Dog as the Best Picture of 2021, with Jane Campion winning Best Director and... Read More
There must be something in the water down in Florida. The state’s top critics’ group announced their nominations on Wednesday with categories of three nominees,... Read More
It’s the Suite Life of Kodi Smit-McPhee. With no less than six critics wins under his over-sized cowboy hat, Kodi Smit-McPhee (The Power of the... Read More
Stevie Martin and Lawrence Davis are two very well-established makeup and hair designers, having traversed the worlds of film and television with equal success and... Read More
Germaine Franco is one of the biggest up and coming composers working in Hollywood and this year made history as the first-ever female composer of... Read More
Adam McKay’s Don’t Look Up opens on a quiet scene of Jennifer Lawrence’s character, Kate, going about her normal business as an astronomer. Making a... Read More

Make-Up Artists & Hair Stylists Guild (MUAH) Awards: ‘Frankenstein, ‘One Battle After Another,’ ‘Sinners’ Take Top Wins
‘Mouse’ Review: Sophie Okonedo and Katherine Mallen Kupferer Shine in Tender Portrait of Grief and Growing Up [B+] Berlinale
UK Casting Directors’ Guild Awards: ‘Hamnet,’ ‘Adolescence’ Take Top Wins
Director Watch Podcast Ep. 139 – ‘Les Rendez-vous d’Anna’ (Chantal Akerman, 1978)
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Costume Designers Guild (CGD) Winners: ‘Frankenstein,’ ‘One Battle After Another,’ ‘Andor’ and More
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Cinema Audio Society (CAS) Unveils Recipients for Inaugural Jeffrey S. Wexler Award for Advancement in Sound Technology
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
2022 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (December)
2022 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY (December)
London Film Critics nominations: ‘The Lost Daughter,’ ‘The Power of the Dog’ lead
Previously on… ‘Survivor’ recap: S41 E13 – “The End of a (New) Era”
Chicago Film Critics winners: ‘The Power of the Dog’ tops with seven
Florida Film Critics nominations: ‘The Power of the Dog,’ ‘Annette’ lead
2022 Oscar Predictions: SUPPORTING ACTOR (December)
Interview: ‘Respect’ hair and makeup designers Stevie Martin and Lawrence Davis on transforming Jennifer Hudson into Aretha Franklin
Interview: ‘Encanto’ composer Germaine Franco, the first-ever female composer of a Walt Disney Animation Studios feature film [VIDEO]
‘Don’t Look Up’ review: Adam McKay’s satire hits meteoric heights as the funniest movie of the year [Grade: A-]
Make-Up Artists & Hair Stylists Guild (MUAH) Awards: ‘Frankenstein, ‘One Battle After Another,’ ‘Sinners’ Take Top Wins
‘Mouse’ Review: Sophie Okonedo and Katherine Mallen Kupferer Shine in Tender Portrait of Grief and Growing Up [B+] Berlinale
UK Casting Directors’ Guild Awards: ‘Hamnet,’ ‘Adolescence’ Take Top Wins
Director Watch Podcast Ep. 139 – ‘Les Rendez-vous d’Anna’ (Chantal Akerman, 1978)