Cinema has often interrogated on the power and meaning of truth. What is it? How do we get to it? How do we accept it?... Read More
Other
Céline Sciamma’s follow-up to her acclaimed Portrait of a Lady on Fire is a small film with a big heart, a much quieter and restrained... Read More
The British Academy of Film and Television Arts (BAFTA) has announced the rules and timeline for the EE British Academy Film Awards 2022, following its... Read More
Hany Abu Assad’s return to Palestinian dramas is a mixed bag of didactic storytelling and expertly delivered thrills. A feminist thriller that is both well-meaning... Read More
Asghar Farhadi’s latest is one of his best, blending moral complications and social commentary to deliver an intellectual and emotional experience with a screenplay that... Read More
HBO Max has renewed Gossip Girl for a second season. The first six episodes of the series, which debuted July 8 to become the best launch for... Read More
The literal dream documentary for every film buff, especially those who take a distinct interest in the spaghetti western side of cinema. And who better... Read More
‘Evil dies tonight’, or tomorrow – that’s the motto uttered at some point by every single character in Halloween Kills, David Gordon Green’s follow-up to... Read More
As America’s national past time, the sport of baseball has contributed to some of the most beloved family films in past decades. The Field of... Read More
Winner of the Audience Award, Directing Award, and World Cinema Grand Jury Prize at Sundance and Kosovo’s official submission for the International Feature Film Oscar... Read More

FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online
Director Watch Ep. 142 ‘The Life and Death of Colonel Blimp’ (Powell and Pressburger, 1943) with Special Guest Bilge Ebiri
‘Rooster’ Review: New Series from ‘Ted Lasso’ Creator Gives Steve Carell Something to Crow About [B-]
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
29th Sonoma International Film Festival (SIFF): ‘Poetic License,’ ‘I Swear,’ Conversations with Julian Schnabel, Barry Jenkins and Lulu Wang
FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: SUPPORTING ACTOR
FINAL 2026 Oscar Predictions: ANIMATED SHORT, DOCUMENTARY SHORT, LIVE ACTION SHORT
FINAL 2026 Oscar Predictions: BEST ACTRESS
FINAL 2026 Oscar Predictions: ORIGINAL SCORE and ORIGINAL SONG
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING
FINAL 2026 Oscar Predictions: PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: COSTUME DESIGN
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
Venice Review: Adam Driver and Jodie Comer shine but ‘The Last Duel’ is diminished by an uneven script and skewed perspective [Grade: C]
TIFF Review: Céline Sciamma’s ‘Petite Maman’ gloriously captures childhood emotions and perspectives [Grade: A-]
BAFTA outlines new rules for Director, Acting, plus key dates for 2022 awards
TIFF Review: Despite a fearless performance from Maisa Abd Elhadi, Hany Abu Assad’s ‘Huda’s Salon’ is mostly a misfire [Grade: C]
TIFF Review: Asghar Farhadi hits a humanistic high with ‘A Hero’ [Grade: A]
HBO Max renews ‘Gossip Girl’ reboot for second season
Venice Review: Quentin Tarantino pays tribute to Sergio Corbucci, the second-greatest spaghetti western director, in ‘Django & Django’ [Grade A-]
Venice Review: David Gordon Green expands the limits of trauma with ‘Halloween Kills’ [Grade: B]
The legacy of ‘The Sandlot’ is still a home run almost 30 years later
Trailer: Kosovo’s Sundance-winning Oscar submission ‘Hive’
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online