With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next? 
BAFTA TV Awards Nominations: ‘Adolescence’ Still Has More Growing Up To Do 
Film Academy Announces 2025-2026 Nicholl Fellowships 
On the Shelf: ‘Killers of the Flower Moon,’ ‘Red Sonja,’ ‘Hail, Caesar!’ in 4K plus ‘The History of Sound’ Arrive on Physical Media releases for the Week of March 23 
Director Watch Podcast Ep. 145 – ‘Black Narcissus’ (Powell and Pressburger, 1947) with Special Guest Dave Giannini 
‘Wishful Thinking,’ ‘Over Your Dead Body’ Among 2026 SXSW Film & TV Festival Juried and Audience Award Winners 
Director Watch Podcast Ep. 144 – ‘A Matter of Life and Death (Powell and Pressburger, 1946) with Special Guest Jesse Nussman 
Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More 
With Paul Thomas Anderson Finally Winning an Oscar, Which Multi-Nominee is Next? 
Film Academy Announces 2025-2026 Nicholl Fellowships 
Venice review: Isabelle Huppert rivets in this razor-sharp political drama, ‘Promises (Les promesses)’ [Grade B+]
Isabelle Huppert battles to keep her place in the mayoral office in Thomas Kruithof’s Les Promesses, also known by its English title Promises. It’s a... Read More
Other
Venice Review: With ‘The Lost Daughter,’ Maggie Gyllenhaal exposes mother-daughter relations in their vile, discomforting essence [Grade: B]
Leda, a middle-aged comp-lit professor, arrives at a lavish Greek island accompanied solely by her books. Played by an overwrought Olivia Colman, she frets and... Read More
Venice review: Denis Villeneuve’s ‘Dune’ is a gripping and visually arresting opener to an exciting universe [Grade: A]
The two most important lines in Dune come at the very beginning and the very end. First, when Duke Leto (Oscar Isaac) tells princeling son... Read More
Venice review: Kristen Stewart delivers a career-best performance in a fitting and fantastic look at an accidental revolutionary in ‘Spencer’ [Grade: A]
A spiky icon and a gentle iconoclast, Diana Spencer occupies a place in the public consciousness of Britain and the rest of the world which... Read More
‘Shang-Chi’ is a step forward for Asian representation in studio films; here’s why it’s important right now
Inauthenticity has always been a problem in big-budget films produced in Hollywood’s studio system. It’s a well-known fact that most Hollywood films are made by... Read More
Venice Review: ‘The Hand of God’ is Paolo Sorrentino’s sublime masterpiece [Grade: A]
“Thank you to my sources of inspiration: Federico Fellini, Talking Heads, Martin Scorsese and Diego Armando Maradona.” When Paolo Sorrentino went on stage to accept... Read More
Venice Review: With ‘The Power of the Dog,’ Jane Campion and her cast do justice to a literary masterpiece
“Deliver my soul from the sword. My love from the power of the dog” (Psalms, 22:20, David’s address to God to free him from his... Read More
Venice Review: ‘Parallel Mothers (Madres Paralelas)’ is a powerful portrayal of mothers in Almodóvar’s most political film
No matter how hard we try to escape it, we’re all children of history. It defines the life of a country and, by consequence, that... Read More
‘Cyrano’ to open 44th Mill Valley Film Festival on October 7
The Mill Valley Film Festival announced today the California Premiere of Cyrano to open the 2021 festival, Thursday, October 7. The film is having its world premiere... Read More
Venice review: The road to redemption is a long and rocky one in Paul Schrader’s ‘The Card Counter’ [Grade: A]
“If not for the money, why play?” – “It passes the time,” says professional gambler William Tell (Oscar Isaac) when prompted to justify his string... Read More
BAFTA TV Awards Nominations: ‘Adolescence’ Still Has More Growing Up To Do 
On the Shelf: ‘Killers of the Flower Moon,’ ‘Red Sonja,’ ‘Hail, Caesar!’ in 4K plus ‘The History of Sound’ Arrive on Physical Media releases for the Week of March 23