Estranged brothers Sandy (Brian Cox) and Donal (Alan Cumming) have neither seen nor spoken to each other in over three decades. After their mother passed... Read More
Other
After Miguel de Cervantes wrote the most famous novel of all time—El Quijote— in the early 1600s, it became so instantly popular that apocryphal sequels... Read More
After another year of exceptional television, the 77th Primetime Emmys are here. With so many shows over the past year vying for the attention of... Read More
Highlights include Cannes winners It Was Just an Accident (Palme d’Or), Sentimental Value (Grand Jury Prize), The Secret Agent (Best Director, Best Actor), Sirāt and... Read More
Nia DaCosta’s fun, feminist Ibsen reimagining, Hedda, opens with a quote from another playwright. Instead of referencing Ibsen himself or another literary staple of the... Read More
For Oscar pundits, phase one is now complete. The “way too early” stretch when predictions are stitched together from Sundance or Cannes crumbs is in... Read More
Earlier this year, the Los Angeles metropolitan area and San Diego County faced some of the worst wildfires in the country’s history. Complete sections of... Read More
Some epic love stories are remembered for the ages. Others are restrained by the age in which they unfold. In The History of Sound, Oliver Hermanus’s... Read More
“Timeless” is a word that gets thrown around a lot, particularly by movie critics to describe films that have lasting power because they are enjoyed... Read More
Alex Winter hasn’t directed a narrative feature film since 2015’s Smosh: The Movie. In some sense, you could say we haven’t gotten a real Alex... Read More

DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Interview: ‘A Poet’ filmmaker Simón Mesa Soto on How His Literary Madcap Comedy Came to Be
‘zi’ Review: Kogonada’s Latest is a Return to Minimalism But Frustratingly Unfocused [C+] Sundance
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
‘Star Wars: Episode V — The Empire Strikes Back’ to Close 69th San Francisco International Film Festival (SFFILM) at The Castro Theatre
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
‘Glenrothan’ Review: A Likable Cast Can’t Elevate Brian Cox’s Bottom-of-the-Barrel Scottish Family Dramedy [D] TIFF
‘The Captive’ Review: Alejandro Amenábar’s Account of Cervantes as a Teller of Tales is Itself a Powerful Lesson in Storytelling [A] TIFF
77th Primetime Emmy Awards Predictions: Will it Be ‘The Pitt’ or ‘Severance’? ‘The Studio’ or ‘Hacks’?
48th Mill Valley Film Festival Lineup: Cannes Winners, ‘Hamnet,’ ‘Rental Family;’ Spike Lee, Joel Edgerton, Zoey Deutch to Receive Honors
‘Hedda’ Review: Tessa Thompson Seduces and Destroys in Nia DaCosta’s Sexy, Stylish Spin on a Classic [B+] TIFF
2026 Oscar Predictions: The Awards Alchemist’s Updates Following Venice and Telluride
‘The Lost Bus’ Review: Paul Greengrass and Company are Running on Empty in Undercooked True Life Survival Drama [D] TIFF
Paul Mescal and Josh O’Connor on Restraint, Music, and Personifying Love in ‘The History of Sound’ [VIDEO INTERVIEW]
‘Train Dreams’ Review: Joel Edgerton Shines in Contemplative Drama About Life and Technological Progress [A-] TIFF
‘Adulthood’ Review: Alex Winter’s Suburban Neo-Noir Dark Comedy is Dead on Arrival [C-] TIFF
DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts