The highly anticipated sequel to Joanna Hogg’s 2019 film The Souvenir is set to highlight the 53rd Directors’ Fortnight lineup of the Cannes Film Festival,... Read More
Other
A man-child husband. His nice, supportive wife who becomes the butt of the joke. A suburban house. A laugh track. You’ve seen it before. Plenty... Read More
It’s not very often you go viral twice, but comedian and author Sarah Cooper proved that with persistence and a knack for capturing the zeitgeist,... Read More
The Telluride Film Festival (which runs September 2 – 6, 2021 this year) and the National Film Preserve LTD, a Colorado nonprofit corporation, today announced its... Read More
After three highly successful seasons on Netflix, bringing hordes of new fans and an entire new generation to the lore of Daniel LaRusso, Cobra Kai... Read More
After taking off a year due to the coronavirus pandemic, Semaine de la Critique aka Critics’ Week, the Cannes Film Festival parallel festival dedicated to first and... Read More
Recently, The Recording Academy announced some rule changes to their ever-evolving and ever-controversial Grammy Awards. While a number of changes were revealed, there was one... Read More
Representation matters. Representation has always mattered and always will matter. Gatekeepers, however, determine — and continue to determine, though in a slightly reduced amount — who receives representation and... Read More
After facing off at the BAFTA TV craft awards two weeks ago, Michaela Coel’s I May Destroy You and Steve McQueen’s Small Axe went head... Read More
As the fight for representation in Hollywood continues, we’re seeing more and more projects picked up that help better the representation of Middle Eastern and... Read More

FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online
Director Watch Ep. 142 ‘The Life and Death of Colonel Blimp’ (Powell and Pressburger, 1943) with Special Guest Bilge Ebiri
‘Rooster’ Review: New Series from ‘Ted Lasso’ Creator Gives Steve Carell Something to Crow About [B-]
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
Boots Riley’s ‘I Love Boosters’ Lands West Coast Premiere as Centerpiece of 69th San Francisco International Film Festival (SFFILM)
29th Sonoma International Film Festival (SIFF): ‘Poetic License,’ ‘I Swear,’ Conversations with Julian Schnabel, Barry Jenkins and Lulu Wang
FINAL 2026 Oscar Predictions: VISUAL EFFECTS
FINAL 2026 Oscar Predictions: ANIMATED FEATURE, DOCUMENTARY FEATURE, INTERNATIONAL FEATURE FILM
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: SUPPORTING ACTOR
FINAL 2026 Oscar Predictions: ANIMATED SHORT, DOCUMENTARY SHORT, LIVE ACTION SHORT
FINAL 2026 Oscar Predictions: BEST ACTRESS
FINAL 2026 Oscar Predictions: ORIGINAL SCORE and ORIGINAL SONG
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING
FINAL 2026 Oscar Predictions: PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: COSTUME DESIGN
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
Cannes 2021: Joanna Hogg’s ‘The Souvenir Part II’ among Directors’ Fortnight lineup
‘Kevin Can F**k Himself’ review: Annie Murphy blows up sitcom tropes with intriguing results
Interview: Comedian Sarah Cooper (‘Everything’s Fine’) proves that lightning can definitely strike twice
Telluride Film Festival acquires historic Nugget Building
Interview: Ralph Macchio on the slow burn success of ‘Cobra Kai’ [VIDEO]
Cannes 2021: Critics’ Week brings a French heavy lineup
Grammy Rewind: Looking back on Best Music Film and the evolution of the visual album
‘In the Heights’ review: Impossible to resist and puts Latinx representation joyously front-and-center
2021 BAFTA TV Awards: Michaela Coel is the moment as ‘I May Destroy You’ dominates
‘We Are Lady Parts’ review: These punk MENA girls are an American TV revolution
Predictions for Sound (CAS, MPSE), Cinematography (ASC) and Writers Guilds (WGA) Awards
Interview: Shawn Hatosy on Directing ‘The Pitt,’ Camera Choreography, and Being Online