The opening night film of the virtual 2021 Sundance Film Festival, CODA, dominated the festival’s awards on Tuesday evening, winning the Grand Jury Prize, Audience... Read More
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The latest entry in the period piece lesbian drama genre that has grown increasingly popular in the past few years is The World to Come,... Read More
The Academy of Motion Picture Arts and Sciences announced today that 17 scientific and technical achievements represented by 55 individual award recipients, as well as... Read More
52nd NAACP Image Awards: ‘Jingle Jangle: A Christmas Journey,’ ‘black-ish,’ Beyoncé lead nominations
52nd NAACP Image Awards: ‘Jingle Jangle: A Christmas Journey,’ ‘black-ish,’ Beyoncé lead nominations
Netflix’s Jingle Jangle: A Christmas Journey was the nomination leader for the 52nd NAACP Image Awards in the film categories, announced on Tuesday morning by... Read More
The Hollywood Critics Association announced its nominations for the 4th Annual HCA Film Awards on Tuesday where Promising Young Woman, One Night in Miami and... Read More
At the risk of repeating myself year after year, screeners are the most important factor at the Screen Actors Guild. It’s practically right in the... Read More
The run of Season 13’s self-proclaimed “filler queen” may have come to an early end, but not before Joey Jay was able to act as... Read More
The giants of the Civil Rights movement of the ‘60s could be considered America’s original Avengers, and perhaps there is no better representative of their... Read More
When you’re putting together a list of the greatest actresses of all time it doesn’t exist without Jodie Foster. As one of the few Hollywood... Read More
You’d think it would be easier to suss out where the Hollywood Foreign Press Association, a group of less than 90 people, are leaning with... Read More

‘How to Make a Killing’ Review: The Latest Eat the Rich Satire is Starving to Death [C-]
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale
26th Black Reel Awards: ‘Sinners’ Breaks Record with 14 Wins
Online Film & Television Association (OFTA) Awards: ‘Sinners’ Tops with 10
AwardsWatch Podcast Ep. 333 – Reviewing “Wuthering Heights” and BAFTA Preview
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Sundance 2021 Awards: ‘CODA’ sweeps with four prizes; Clifton Collins Jr., ‘Flee’ among winners
Sundance Review: ‘The World to Come’ too often sacrifices character for mood
Film Academy to honor 17 scientific and technical achievements
Hollywood Critics Association (HCA) nominations: ‘Promising Young Woman,’ ‘One Night in Miami’ and ‘Ma Rainey’s Black Bottom’ lead
Screen Actors Guild (SAG) nomination predictions: Screeners, streamers and Streepers, oh my
Interview: Drag Race season 13 queen Joey Jay on runway confusion with Carson and being a new kind of sex symbol
Film Review: ‘Judas and the Black Messiah’ is powered by a fiery and brilliant performance from Daniel Kaluuya
Interview: Jodie Foster talks ‘The Mauritanian’ and where she keeps her Oscars
Golden Globe nomination predictions: Expect a big day for Netflix, ‘Nomadland’ and indie fare
‘How to Make a Killing’ Review: The Latest Eat the Rich Satire is Starving to Death [C-]
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale