War is hell. It’s also a prime Sound Oscar contender zone. Even with the newly merged sound categories, war films and films with lots of... Read More
Other
A handful of scores from major releases were revealed as ineligible ahead of the official list from the Academy (reported by Variety) largely based on... Read More
Despite being the proverbial Pork Chop of Season 13, the unique structure of this cycle of RuPaul’s Drag Race gave viewers weeks to fall in... Read More
Interview: The cast and creator of the new mind-bending series ‘Losing Alice’ from Apple TV+ [VIDEO]
Interview: The cast and creator of the new mind-bending series ‘Losing Alice’ from Apple TV+ [VIDEO]
Losing Alice is a thrilling new series from Israel that made its debut on AppleTV+ this past Friday to great reviews. The show uses flashbacks... Read More
The Kansas City Film Critics Circle (KCFCC), established in 1996 and the second oldest film critics’ group in the United States, announced its winners and... Read More
The North Texas Film Critics Association (NTFCA) revealed its nominations on Saturday and two films led the field with four apiece, Lee Isaac Chung’s Minari... Read More
Mank, David Fincher’s behind the scenes saga of the writing of Citizen Kane, was named the Best Picture of 2020 by the New Mexico Film... Read More
BAFTA nominee Gabriela Cowperthwaite is perhaps best known for her work on the award-winning documentary Blackfish but few realize that she’s directed feature releases as... Read More
Joko Anwar’s sixth directorial effort, Satan’s Slaves (2017), which was also the highest-grossing horror film in Indonesia, was deemed as one of the best and... Read More
Hello to our fans, friends, frenemies, and fathers and welcome to another recap of the always titillating “RuPaul’s Drag Race” Season 13! We have a... Read More

Academy Announces 27 Recipients From Wētā, ILM, DreamWorks Animation and More for Scientific and Technical Achievements
‘How to Make a Killing’ Review: The Latest Eat the Rich Satire is Starving to Death [C-]
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale
26th Black Reel Awards: ‘Sinners’ Breaks Record with 14 Wins
Online Film & Television Association (OFTA) Awards: ‘Sinners’ Tops with 10
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
2021 Oscar Predictions: SOUND (January)
2021 Oscar Predictions: ORIGINAL SCORE (January)
Interview: Drag Race season 13 queen Kahmora Hall on that lip sync and who she thinks should have been in her place
Kansas City Film Critics Circle (KCFCC) winners: ‘Nomadland’ and ‘Promising Young Woman’ tie for Best Film
North Texas Film Critics nominations: ‘Minari,’ ‘Nomadland’ lead
New Mexico Critics: ‘Mank’ wins its first Best Picture prize; Mads Mikkelsen named Best Actor
Interview: ‘Our Friend’ director Gabriela Cowperthwaite on navigating the intricacies of grief [VIDEO]
Interview: Director Joko Anwar on the inspiration behind Indonesia’s Oscar submission ‘Impetigore’
RuPaul’s Drag Race recap S13 E4: “A Tree Falls In The Forest”
Academy Announces 27 Recipients From Wētā, ILM, DreamWorks Animation and More for Scientific and Technical Achievements
‘How to Make a Killing’ Review: The Latest Eat the Rich Satire is Starving to Death [C-]
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’