Yesterday was an easygoing two-film day, bookended by parties. I kicked things off at the Focus Features event, where Jessie Buckley and Paul Mescal dropped... Read More
Other
The acclaimed filmmaker goes close to home with the story of an indigenous landowner killed by developers – and their subsequent, often kafkaesque trial At... Read More
The French director adapts an award-winning French novel about a fictional adviser to Vladimir Putin – to underwhelming results Most of what’s good in The... Read More
The 52nd Telluride Film Festival began yesterday, August 29, and my ninth journey to this cinematic mecca started with a drive that felt like plunging... Read More
One year after over-performing at the Oscars with the sleeper hit I’m Still Here, Brazil is poised to potentially do it again with another film... Read More
The first sign of violence in No Other Choice comes when our protagonist, paper factory manager You Man-su (Lee Byung-hun) explains the difference between losing... Read More
A lot has changed since 2017, when the first accusations against film producer Harvey Weinstein surfaced. One after one, the women who were sexually harassed... Read More
In her second outing as a feature-length filmmaker, Saudi Arabian director Shahad Ameen goes bolder and deeper with Hijra, a quietly devastating film that is... Read More
Yorgos Lanthimos is back at the Lido with one of his most fascinating, multi-layered and daring films. In Bugonia, the subversive filmmaker manages to tackle... Read More
Werner Herzog’s irreverent stoicism, which seems to get an ounce cheekier every year, does some heavy lifting in a documentary which might otherwise border on... Read More

DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Interview: ‘A Poet’ filmmaker Simón Mesa Soto on How His Literary Madcap Comedy Came to Be
‘zi’ Review: Kogonada’s Latest is a Return to Minimalism But Frustratingly Unfocused [C+] Sundance
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
‘Star Wars: Episode V — The Empire Strikes Back’ to Close 69th San Francisco International Film Festival (SFFILM) at The Castro Theatre
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
Telluride Dispatch #2: Parties Galore, ‘Bugonia’ and ‘Jay Kelly’
‘Landmarks’ Review: Lucrecia Martel’s First Foray into Nonfiction is an Indignant Look at Injustice in Argentina [B] Venice
‘The Wizard of the Kremlin’ Review: Jude Law’s Whiny Putin is Rare Highlight of Olivier Assayas’s Messy, Bloated Russia Drama [C+] Venice
Telluride Dispatch #1: ‘La Grazia,’ ‘Springsteen: Deliver Me From Nowhere,’ ‘Ballad of a Small Player’
‘The Secret Agent’ Review: Kleber Mendonça Filho Returns with a Timely Tale of Brazilian Corruption and Persecution [A-] Telluride
‘No Other Choice’ Review: Park Chan-wook’s Jet Black Comedy Reminds Us Why He’s One of the Best in the Game [B+] Venice
‘After the Hunt’ Review: Despite a Stellar Julia Roberts, Luca Guadagnino’s Latest is a #MeToo Misfire [C-] Venice
‘Hijra’ Review: Shahad Ameen Crafts a Moving Story of Self-Empowerment and Discovery [A-] Venice
‘Bugonia’ Review: Jesse Plemons Gives a Masterful Performance in Yorgos Lanthimos’s Plea for Eco-Empathy [A-] Venice
‘Ghost Elephants’ Review: Werner Herzog Adds Characteristic Existential Poignancy to Entertaining Nature Doc [B] Venice
DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts