The Boston Online Film Critics Association have selected Chloé Zhao’s Nomadland the best picture of 2020 with Zhao also picking up best director and best... Read More
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I don’t know if you guys know this — perhaps you don’t have this written in your calendars four times like I do, in which... Read More
Award Presented in Partnership between SFFILM and Alfred P. Sloan Foundation Celebrates Outstanding Achievement in the Depiction of Science on Screen SFFILM has announced that Ammonite, Francis... Read More
VH1 today announced that The CW Network, along with MTV, MTV2, PopTV and Logo, will simulcast the upcoming 13th season premiere of the Emmy award-winning, RuPaul’s... Read More
Samuel Goldwyn Films announced today that the company has acquired U.S. rights to The Auschwitz Report, Slovakia’s Academy Award Best International Feature Film submission. The... Read More
Critics season is here, pandemic be damned. As of today, Boston and New York have announced their winners, while Indiana (and its long, longlists), Florida... Read More
Bill Kramer, Director and President of the Academy Museum of Motion Pictures, today announced that the new institution’s much-anticipated opening will be moved from Spring... Read More
HBO Max has renewed the hit comedic thriller THE FLIGHT ATTENDANT starring Kaley Cuoco for a second season, it was announced today by Casey Bloys, Chief Content... Read More
The New York Film Critics Circle announced their 2020 awards today, naming Kelly Reichardt’s ode to the American Frontier, A24’s First Cow, the best film... Read More
“Stop it Nina, you are strong!” On December 18, 2010 a member from the old forums of AwardsDaily (which then became the AwardsWatch forums in... Read More

Academy Announces 27 Recipients From Wētā, ILM, DreamWorks Animation and More for Scientific and Technical Achievements
‘How to Make a Killing’ Review: The Latest Eat the Rich Satire is Starving to Death [C-]
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale
26th Black Reel Awards: ‘Sinners’ Breaks Record with 14 Wins
Online Film & Television Association (OFTA) Awards: ‘Sinners’ Tops with 10
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Boston Online Film Critics go big for ‘Nomadland’
Jake Gyllenhaal turns 40: Here’s his best looks, performances, screen partners, nude scenes (!!!) and more
SFFILM Awards 2020 Sloan Science in Cinema Prize to Francis Lee’s ‘Ammonite’
VH1’s ‘RuPaul’s Drag Race’ season 13 premiere to simulcast on The CW Network, MTV, MTV2, PopTV and Logo
Samuel Goldwyn Mayer acquires Slovakia’s Oscar hopeful ‘The Auschwitz Report’ for U.S.
Frontrunner Friday Oscar Predictions: No ‘Mank’ land
Film Academy moves museum opening once again, to September 2021
HBO Max books ‘The Flight Attendant’ for a second trip
New York Film Critics Circle (NYFCC) Awards: Women rule as ‘First Cow’ named Best Film, Chloé Zhao is Best Director
‘Black Swan’ turns 10: Here’s one fan’s unforgettable screening reaction that will stop you in your tracks
Academy Announces 27 Recipients From Wētā, ILM, DreamWorks Animation and More for Scientific and Technical Achievements
‘How to Make a Killing’ Review: The Latest Eat the Rich Satire is Starving to Death [C-]
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’