Beginning today through Election Day on Tuesday, November 3rd, NEON has made Alex Gibney’s Totally Under Control available to stream for free on its website. The company is also... Read More
Other
Mariah Carey is having a moment. Now, one could argue, as I would to anyone, at any time, through my bejeweled, “I don’t know her”... Read More
It’s been 10 years since acting legend Sophia Loren graced our screens. The Life Ahead is a long overdue return for the star, and the... Read More
Bend. Or Break. The final trailer for season four of the Emmy-winning Netflix series The Crown has arrived. At the end of the 1970s, the... Read More
Mads Mikkelsen (Rogue One: A Star Wars Story, Casino Royale, The Hunt, and TV’s Hannibal) and Armie Hammer (The Social Network, Call Me by Your... Read More
Riz Ahmed is on a roll this year. Following his titanic, career-best performance as a drummer on a journey of accepting his loss of hearing... Read More
The fourth annual VARIETY’S ‘SALUTE TO SERVICE’ PRESENTED BY HISTORY AND VOICES MAGNIFIED special, a celebration honoring our veterans and service members and contributions by... Read More
Entertainment One (eOne) today announced the UK theatrical release date of March 12, 2021 for THE UNITED STATES VS. BILLIE HOLIDAY, the highly anticipated new feature... Read More
106-year old Norman Lloyd will be the recipient of the Legacy Award The Los Angeles Film Critics Association has chosen director/screenwriter/producer/actor Hou Hsiao-Hsien and singer/songwriter/activist/actor... Read More
In her second dispatch of NewFest, Sara Clements reviews Cowboys, Rūrangi, The Strong Ones and Tahara. Don’t miss her first round of reviews of Dating... Read More

Academy Announces 27 Recipients From Wētā, ILM, DreamWorks Animation and More for Scientific and Technical Achievements
‘How to Make a Killing’ Review: The Latest Eat the Rich Satire is Starving to Death [C-]
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale
26th Black Reel Awards: ‘Sinners’ Breaks Record with 14 Wins
Online Film & Television Association (OFTA) Awards: ‘Sinners’ Tops with 10
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
NEON makes Alex Gibney COVID doc ‘Totally Under Control’ free through Election Day
“They Told Me There’d Be Hot Tea” – All Mariah Carey Albums, Ranked
Film Review: ‘The Life Ahead’ for Sophia Loren May Spell More Oscar Gold
Gillian Anderson and Olivia Colman face off in the final trailer for ‘The Crown’ season 4
Mads Mikkelsen and Armie Hammer to star in Amma Asante’s ‘The Billion Dollar Spy’
Film Review: Riz Ahmed stuns again in ‘Mogul Mowgli,’ Bassam Tariq’s powerful exploration of cultural identity
Variety ‘Salute to Service’ special set for Veteran’s Day with Trace Adkins, Jake Gyllenhaal, Kellie Pickler and more
‘The United States vs. Billie Holiday’ will open in UK cinemas March 12, 2021
LA Film Critics to honor Hou Hsiao-Hsien, Harry Belafonte; announce awards date
NEWFEST Reviews: ‘Cowboys,’ ‘Rūrangi,’ ‘The Strong Ones,’ and ‘Tahara’
Academy Announces 27 Recipients From Wētā, ILM, DreamWorks Animation and More for Scientific and Technical Achievements
‘How to Make a Killing’ Review: The Latest Eat the Rich Satire is Starving to Death [C-]
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’