Once upon the 1980s there was a little NBCmovie about Kate, a seemingly perfect, beautiful housewife who harbored a dark and disturbing secret—she furtively ate... Read More
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Sudden fame would feel unnatural for anyone—let alone Ed Saxberger, an aging post office worker turned native New Yorker. One evening, he returns home from... Read More
Hot off its world premiere at the Telluride Film Festival last week, Chloé Zhao’s Hamnet is set to open the 48th Mill Valley Film Festival... Read More
Acclaimed Hong Kong-Taiwanese actress Shu Qi (known for her arthouse and commercial films including The Assassin, Three Times and most recently Bi Gan’s Resurrection) makes... Read More
The Telluride Film Festival is a bit of a fever dream. No matter where you’re coming from, the path to the quaint hamlet high up... Read More
“But he’s so good!” That was Marianne Jean-Baptiste’s reaction to the news that Richard Lawson, Vanity Fair’s chief film critic, had been let go from... Read More
The Sheridan Opera House in Telluride, Colorado has seen legendary, subversive non-American filmmakers celebrated by the Telluride Film Festival over the past 52 years. From... Read More
“You’re gonna make me cry, I’m not even kidding,” says Dylan O’Brien through a laugh. He’s responding to my congratulations over his performance award at... Read More
Life doesn’t always give us answers – but that doesn’t mean the questions always linger, haunting us at every turn. There is a pain in... Read More
Playing in competition at this year’s Venice Critics’ Week, Yanis Koussim’s Roqia is a rare Middle Eastern genre film that takes narrative risks that mostly... Read More

76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
‘Sinners’ Leads 57th NAACP Image Awards with 9 Going Into Final Night
Producers Guild (PGA) and Screen Actors Actors Guild (SAG) Awards Television Predictions: Stop Me If You Think That You’ve Heard This One Before
41st Casting Society Artios Awards (CSA): ‘Sinners,’ ‘Jay Kelly,’ ‘The Pitt,’ ‘The Studio’ and More
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater Becomes Second American-born Filmmaker to Win Best Director
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
‘Maddie’s Secret’ Review: John Early’s Directorial Debut Isn’t Quite the Gag-Worthy Parody It Should Be [C+] TIFF
‘Late Fame’ Review: Willem Dafoe and Greta Lee Sparkle in Kent Jones’s Fizzled Fable [C+] Venice
Chloé Zhao’s ‘Hamnet’ to Open 48th Mill Valley Film Festival, Star Jessie Buckley to Receive MVFF Award
‘Girl’ Review: Shu Qi’s Directorial Debut Finds Heart in the Face of Grim Oppression [B] Venice
2025 Telluride Film Festival Recap: The Films, the Drama, the Parties, the Oscars and Oprah
Marianne Jean-Baptiste on Being a TIFF Platform Jury Member: “I’ll Be Open”
Telluride Silver Medallion and Tribute to Iranian Filmmaker Jafar Panahi, Reflecting on ‘It Was Just an Accident’ and Lifelong Political Filmography
It Takes Two: James Sweeney and Dylan O’Brien Talk ‘Twinless’ [VIDEO INTERVIEW]
‘My Father and Qaddafi’ Review: Jihan K Crafts a Moving Portrait of Living Under a Regime of Brutality [A-] Venice
‘Roqia’ Review: [B] Venice
76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)